It
should be straightforward, right? Reading it is like reading any other
piece of text, correct? Well, no, actually, it’s not. And actually, yes, it is.
"It" is a poem.
Poet
Tania Runyan has a suggestion on how to read a poem, or rather, she has six
suggestions, all taken from the poem “Introduction to Poetry” by
Billy Collins, published in his 1988 collection The
Apple That Astonished Paris (it's been republished a couple of times since then). Of course, in the style of poets
generally, Runyan has far more in How
to Read a Poem than approaches to reading poetry.
But
first, her suggestions:
· Consider the
poem’s imagery – “hold it up to the light.”
· Listen to the sound
of the poem.
· Reflect on all
of the pieces that comprise the poem (or, as Collins writes, drop and mosue in
and watch him nibble).
· Look for what
creates the Aha!” or “Gotcha!” moment.
· Study the poem
itself, and don’t worry about who the author is or what he or she is trying to
do or convey.
· Let the poem be
instead of trying to wring everything possible out of it.
Runyan
pulls these suggestions straight from the poem by Collins. What she does with
them is one of the best parts of the book. She expands each of the lines of the
poem, enlarging one’s understanding, and gives her own example of the
suggestion at work. And then she provides several poems in each section for the
reader to do the same.
In
the process, she provides a wonderful if understated, introduction to reading
poetry, and she introduces the reader to poets well known and not-so-well
known. Poets whose poems are represented include Tennyson, George Eliot, Emily
Bronte, Wallace Stevens, T.S. Eliot, William Carlos Williams, Yeats, D.H. Lawrence,
Marianne Moore, Robert Browning, Thoreau, Anne Doe Overstreet, Edward Scott
Anderson, Carl Sandburg, John Keats, Maureen Doallas, Sara Teasdale, and many
more.
“Think
of it (How to Read a Poem) as less
than an instructional book,” Runyan writes, “and more as an invitation. For the
reader new to poetry, this guide will open your senses to the combined craft
and magic known as poems. For the
well versed, if you will, this book might make you fall in love again.”
Well
versed, indeed. The pun suggests another quality of the book, and that is playfulness.
How to Read a Poem is above all playful,
written by a poet in finds joy in her own work, and joy in poetry generally,
and knows how to laugh.
Interested
in poetry? Read it. New to poetry? Read it. Well versed? Read it. It’s a
wonderful guide by a poet who clearly is in love with her craft and magic.
Related: My review of Tania Runyan's A Thousand Vessels: Poems at Tweetspeak Poetry.
Glynn, this not only helps us to appreciate the poems we read, it gives us aspects to consider as we re-read our own poems and revise. To encourage other members of our Christian Poets & Writers group on Facebook to see this, I'll highlight on the Christian Poets & Writers blog - http://christianpoetsandwriters.blogspot.com . God bless.
ReplyDeleteOne of my comments to Tania was that if all children were introduced to poetry like this, we'd have a nation of poetry-readers. My hope is that as many English teachers as possible learn of this book and use it in their teaching.
ReplyDeleteI was delighted when I discovered a poem of mine was included in the anthology. It's such a privilege.
I wish I'd had this book in high school when I was terrified of poetry.
ReplyDeleteI agree with Sandra...I don't recall being exposed much to poetry in high school or growing up. Thanks, Glynn, for the review of Tania's book.
ReplyDeleteGlynn, Tania's book made me so much more comfortable with 'trying' poetry. I'm smiling at your review--all true words (and a great photo!). Thank you.
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