The four, soon to be five, novels in the Dancing Priest series are set in the near future, at least far enough away from the actual present to avoid any notion that the characters are based on real people. But they’re essentially contemporary fiction, falling into the space between general fiction and Christian fiction.
Why would contemporary novels require extensive research? Lots of reasons.
You’re writing about a country or culture not your own. You’re writing about people who do things you’ve never experienced. You write about a painter when you’re not one. You’re writing about an institution you’ve never been part of. You’ve put your characters into a geography, even if ever so briefly, you’ve never visited.
Many people – historians and novelists alike – write about the American Civil War, or World Wars I and II, but were never part of it. Some write mysteries set a generation before they were born. Some write about peoples and cultures that aren’t their own (an often-dangerous thing to do these days).
To continue reading, please see my post today at Dancing Priest.
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