Sunday, December 14, 2014

How does the word become flesh


How does the word
become flesh, how
does the word
dwell among us

how does the word
dwell among us, full
of grace, full
of truth

how does the word
walk the streets, walk
the alleys, walk
the boulevards

the word:
handing out debit cards
with no spending limit
debit cards, with names


Photograph by Francisco Farias Jr. via Public Domain Pictures. Used with permission.

Saturday, December 13, 2014

Books I’m Not Recommending This Year – Part 2


Yesterday, I focused on describing the books of poetry nd books related to poetry or poets that I’m not recommending this year. Today, it’s books on faith, novels and general non-ficiton.

Which I suppose suggests I read a lot of poetry and books about poetry.

Which is true.

Faith

Wounded Women of the Bible by Dena Dyer and Tina Samples.

The Adam Quest by Tim Stafford.

Love Idol by Jennifer Dukes-Lee.

Refuse to Drown by Tim Kreider with Shawn Smucker.


Atlas Girl by Emily Weirenga.

The Annie Project by Joanne Norton.

Mortal Blessings: A Sacramental Farewell by Angela Alaimo O’Donnell

Slow Church by Christopher Smith, John Pattison and Honathan Wilson-Hartgrove.

Playdates with God by Laura Boggess.

Identity Crisis by Michael Perkins.

Fiction

The Sands of Ethryn by C.S. Lakin.

Remembering for Ruth by Sheila LaGrand.



How Sweet the Sound by Amy Sorrels.

Murder Underground by Mavis Doriel Hay.

They Shall See God by Athol Dickson.

The Late Scholar by Jill Paton Walsh.

The Dark Clue by James Wilson.


Non-Fiction

Stealing the Mystic Lamb by Noah Charney.


Monet by Carla Rachman.

The Yellow House by Martin Gayford.

Becoming Dickens: The Invention of a Novelist by Robert Douglas-Fairhurst.

Fierce Convictions by Karen Swallow Prior.


On Being a Writer by Charity Craig and Ann Kroeker.


Photograph of a print of Charles Dickens at his writing desk by Karen Arnold via Public Domain Pictures. Used with permission.

Friday, December 12, 2014

Books I’m Not Recommending This Year – Part 1


So it’s time for that annual list I compile of books I’m not recommending for Christmas. I don’t recommend them because I’m likely over-sensitive to buying (or suggesting) books for other people. However, I can get around the recommendation issue by simply listing those books I truly enjoyed but would never suggest to anyone that they read them.

Makes sense? (Not to me, either).

This year, I’m dividing the list into two parts. Today is poetry books and non-fiction books related to poetry or about poets; tomorrow will be books on faith, fiction and general non-fiction.

And here we go. (And note the number of books connected to the poets of World War I – 2014 was the centenary of the beginning the war.)

Poetry


Living in the Nature Poem by Mary Harwell Sayler.

View from the North Ten by Dave Malone.

Idiot Psalms by Scott Cairns.

The Wrecking Light by Robin Robertson.


American Psalm World Psalm by Nicholas Samaras.

The Abandoned Eye by J.P. Dancing Bear.

Caribou by Charles Wright.

Holy Luck by Eugene Peterson.

This Day by Wendell Berry.

Beowulf, translated by J.R.R. Tolkien.

In the Dark Before Dawn by Thomas Merton.

Poetry of the First World War, edited by Tim Kendall.

Upon the Blue Couch by Laurie Kolp.

Scape by Luci Shaw.

The Book of Goodbyes by Jillian Weise.

Glitter Bomb by Aaron Belz.

Once in the West by Christian Wiman.

All the Wasted Beauty of the World by Richard Newman.

Non-Fiction Related to Poetry or Poets


How to Read a Poem by Tania Runyan.






The Poet and the Vampyre by Andrew McConnell Stott.


Photograph by Vicky van de Kerckhoven via Public Domain Pictures. Used with permission.

Thursday, December 11, 2014

It’s not winter yet


It’s not winter yet
but it should be

            leaves gone
            frost, chances
            of ice, sleet
            but not snow
            yet

watching the rain
through a glass wall
puddles pimpling
with raindrops

dreariness and darkness
dreariness of soul
and spirit

the man walks by
with his umbrella
open

sit by the glass wall
watching the rain
watching the reflection
curtained by rain

it’s not winter yet

Photograph by George Hodan via Public Domain Pictures. Used with permission.

Wednesday, December 10, 2014

John Misak’s “Death Knell”


Thinking I had the first volume in John Misak’s John Keegan mystery series, I was about a third of the way into Death Knell when I realized I might have the second. As it turns out, I had the third. My wife will tell you I occasionally miss the details and the fine print.

Ah, well, I now have an excuse to read the first two: Soft Case (which is the first one, originally published in 2001) and All in a Row.

Death Knell starts with a brutal rape and murder. The body of a young woman is found in New York’s Central Park. It’s not John Keegan’s case or even in his precinct’s jurisdiction, but he’s interested, and gets a few details from a friend and detective whose case it is.

The case that is his is a murder – a fringe member of the New York Russian mafia whose body is found in his kitchen, dispatched execution-style. The body is found by his landlady, with a penchant for saying little but helping herself to cash. Neither she nor anyone else regrets his death, and it takes a few visits to the crime scene for Keegan and his partner Rick Calhill for the landlady to divulge everything.

Keegan and Calhill investigate and find themselves edging toward possible police corruption and personal danger. And then they learn the dead man is linked to the rape-murder victim in Central Park. Along the way, they’re trying to deal with their own personal issues, Keegan with family problems and a dead almost-girlfriend, and Calhill with the suicide of his wife.

John Misak
In Keegan, Misak has created a complex character, lifting what might have been a fairly traditional police procedural to a more interesting level. His detective is living a self-examined life, and that self-examination is taking him toward love and toward doing something else with his life. The events in the novel speed that self-examination – and determination – along. The hope is that Keegan will survive what seems to be a number of attempts to end his self-examination permanently.

Death Knell is a good story, with an intelligent, thinking hero, one with a bias for action and not reluctant to be rough when he has to.

Now I have to go back and read the first two Keegan stories.


Photograph of the Manhattan skyline by Bobby Mikul via Public Domain Pictures. Used with permission.

Tuesday, December 9, 2014

Poetry for Life: “Wasted Beauty” at the Tavern of Fine Arts


There are five practical ideas for creating more powerful access to poetry; bringing it home is one of them.

Poetry seems to attach itself to certain cities or regional areas. San Francisco had the beats. Chicago had Carl Sandburg. Kentucky has Wendell Berry. Hartford had Wallace Stevens. New Jersey had William Carlos Willams. And New York, well, New York had everyone else.

When one thinks of poetry, St. Louis doesn’t come immediately to mind. (Currently, it might immediately come to mind for other things, but not poetry.) And yet.

Billy Collins gives a poetry reading at the St. Louis County Library, and 800 people show up – a sell-out crowd, causing a traffic jam on a Saturday night.

St. Louis has the Eugene Field House, a three-story brick row house that was Field’s childhood home. While it is all that is left of its original row, and original neighborhood, it is still there, still attracting locals and tourists alike.

While he became a British subject, T.S. Eliot was born in St. Louis, and his family was involved in the founding of several educational institutions that are still flourishing today.

The St. Louis Poetry Center, founded in 1946, is the oldest poetry organization of its kind west of the Mississippi River. It sponsors readings, poetry slams, open mic nights, and general celebrations of poetry (and it’s amazing what it accomplishes on a shoestring budget; it depends largely upon area poets for support).

To continue reading, please see my post today at Tweetspeak Poetry.

Monday, December 8, 2014

On Being a Writer


I’ve been reading On Being a Writer: 12 Simple Habits for a Writing Life That Lasts by Charity Craig and Ann Kroeker. I like this book for its simplicity and straightforwardness. I like the wisdom Ann and Charity bring to the subject of writing – wisdom born of experience. And I like how each chapter is organized: Stories about writing, and exploration (live, respond, writing prompt, a bonus activity, and discussion questions). And you can ask yourself the discussion questions, or you can ask them in a group.

Here’s one of the discussion questions from chapter 1, “Identify:”

When did you first call yourself a writer?

I thought I knew. Turns out I didn’t.

It might have been when I was 10, when my father brought home from his printing business a bound volume of blank pages. It had a pale green paper cover. Today we would call it a journal. I even know what I wrote in it – a mystery story for kids, about kids, involving secret passages and tunnels (and likely borrowed wholesale from The Hardy Boys).

But then I realized something. What prompted my father to make that book? It didn’t just materialize in his head as an idea. Something told him this would be something I would enjoy. So, clearly, there was some pre-existing event or condition before that bound volume was placed in my hands.

It was likely linked to my family reputation as “the reader.” I was an early reader. When I was six, I pedaled my bike to the local dime store and bought Trixie Belden and the Secret of the Mansion for 59 cents. That was the first book I bought on my own.

Sometime between the ages of six and ten, something happened that suggested to my parents that I might be writer.

However, my father wanted me to be a doctor. That had been his dream, which he was forced to abandon when he graduated from high school in 1933, the pit of the Great Depression. College had been out. Instead, he went to work as a roughneck in the East Texas oil fields.

Charity Craig
I tried pre-med for one year at college. Too much chemistry for someone who was more interested in English literature. I even considered (for a very short time) the ministry. And it was my father who advised against a business degree and instead still do something that would help me earn a living – journalism. (My father had worked for a time in the circulation department of the Shreveport Journal, and after serving in World War II for a trade publisher in New Orleans, which is where he met my mother.)

Was there a moment when I first thought of myself as a writer? Probably, but it’s buried in the mists and fog.

Ann Kroeker
But I can pinpoint the moment when I first said (or admitted) I was a poet. We were visiting New Orleans in 2010, and I was paying for several poetry books I was purchasing at the Faulkner House Bookstore in Pirate’s Alley. The owner looked over the books, and looked at me and said, “Are you a poet?” I funbled with an answer, something like “I write it a bit.” So he repeated his question. “Are you a poet?”

And I said yes.

So if you’d like to know what On Being a Writer can do, just look over what I just wrote. I moved from a description of the book to a question to the search for an answer that took me back to the 1930s and 1940s – before I was born – and then forward. Ann and Charity’s book is simple, but deceptively so. It will make you think, and think hard.


Yes, I am a poet. And yes, I am a writer.

Photograph: Faulkner House Bookstore in New Orleans. The man on the left was the one who asked me, "Are you a poet?"