Sherlock
Holmes, as it turns out, had peers. Or at least he had contemporaries who also
happened to be in the detecting business.
Classic
Crime Stories,
edited by author David Stuart Davies, is a collection of crime mysteries
written in the late 19th and early 20 centuries. In some cases, the
reader knows who did it; the focus becomes how the detective ferrets out the
truth. Others are more traditional mystery, with the reader accompanying the
detective as the crime is eventually solved. In a few, there is no detective at
all, but rather a victim or would-be victim seeking to evade their doom.
All
of the authors represented in the collection of 20 stories were well known in their
day, and several of them are still well known – Arthur Conan Doyle, Robert Louis
Stevenson, G.K. Chesterton, John Dickson Carr, and Guy de Maupassant. But all of
the stories are gems.
In
R. Austin Freeman’s “The Echo of a Mutiny,” a murder happens in a lighthouse –
with no witnesses except the killer. In Chesterton’s “The Hammer of God,” a
Catholic priest (not Father Brown) puzzles over why a small hammer was used to
kill instead of a larger one. In “The Ripening Rubies” by Max Pemberton, a
jeweler discovers who is stealing jewelry from London society ladies at balls
and parties. William LeQueux’s “The Purple Death” concerns three bodies found
in an abandoned fishing boat, each with a purple face. John Dickson Carr’s Dr.
Gideon Fell solves a murder, or two, involving a summerhouse on an island –
which no one seemed to have been able to reach without being noticed. Sheridan
Le Fanu tells a wonderful Gothic story in “The Murdered Cousin,” and how the
intended victim saves herself.
David Stuart Davies |
Editor
Davies has
written
several Sherlock Holmes novels and edited new collections of vintage detective
stories, fairy tales, ghost stories, G.K. Chesterton’s Father Brown mysteries,
a World War II detective series, and Starring Sherlock Holmes: A Century of the Master
Detective on Screen, among other works.
The
stories he’s selected for Classic Crime
Stories provide a window on a period where crime writing and mystery
writing were reaching the first crest in a major wave of popularity, the start
of the Golden Age of mystery writing. The quality of the stories here helps
explain that popularity.
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