Before the
Golden Age of Mysteries (1920s-1940s), there was a pre-Golden Age, roughly
corresponding to the Victorian Era. It was the era stretching roughly from Edgar
Allen Poe to the beginning of World War I. The era, of course, includes the
master detective to end all master detectives, Arthur Conan Doyle’s Sherlock
Holmes.
813 by Maurice Leblanc (1864-1941)
shows that detective fiction wasn’t the province of authors writing only in
English. Leblanc was the creator of the Arsene Lupin mysteries, wildly popular
in France. Lupin happened almost by accident – in 1906, Leblanc was asked to
write a story for a new journal, and a Lupin story was the result.
Maurice Leblanc |
Arsene Lupin is
no ordinary amateur detective. He is a villain – a thief, a burglar, a con man,
but never a murderer (he has some principles, after all). In 813, published in 1910, an industrialist
is murdered in the Palace Hotel in Paris, and while the police are
investigating at the scene, two more murders occur, almost under their noses. A
card is left on the first murder victim – the card of Arsene Lupin, who has not
been heard from or of in four years. The police are shocked: is Lupin back, and
now committing murder?
Lupin is back,
but only to clear his name. And thus begins a rather wild story full of
exclamation points, coincidences, the number of characters rivaling Dickens, and
improbable situations that strain credulity. This is plot development on
steroids. 813 provides an insight
into French popular culture before World War I, and it makes one yearn for the
calmer types of crime across the channel in Britain.
Head west across
the Atlantic, and you find In
the Fog by American Richard
Harding Davis (1864-1916). Davis was a writer, journalist, war correspondent,
editor of Harper’s Weekly, friend of
Theodore Roosevelt, and the man credited with popularizing the clean-shaven
look.
In the Fog, published in 1901 and Davis’s most
widely read book, is actually three connected short stories set in London. The
Grill is the name of a club for gentlemen, and the night after the great fog of
1897, five club members listen to the telling of three interconnected mystery stories.
Richard Harding Davis |
The first
concerns an American naval attaché, stumbling through a dense London fog, who
takes refuge in a large house in Knightsbridge. He finds refuge, but also finds
the bodies of a Russian princess and an English aristocrat, both stabbed to
death. The second concerns the Russian princess (who may be a spy), who tried
to steal a diamond necklace meant for the Russian czarina. And the third story
is the resolution of the two murders, with a bit of surprise tacked on.
In the Fog reflects Davis’s journalism background.
It’s essentially a factual recounting of the events surrounding the deaths,
with the mystery added by the atmosphere of the fog more than the narrative.
The two books
are both pre-World War I, nine years apart, and reflecting different cultures.
Interestingly, In the Fog, the older
of the two, seems more modern than 813.
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