Showing posts with label The Resurrection. Show all posts
Showing posts with label The Resurrection. Show all posts

Sunday, April 20, 2014

Exhibitionist


I never thought of God
as an exhibitionist but
what else can I say
when I am confronted with
the mountains with their heights
the sea in its depths
the sunset, radiant
the pearl encapsulating beauty
the moon permeating my eyes
the flowers in the field erupting
in their riots of color
the porcupine in its waddle
the tomb with its stone
rolled away, empty and
silent in realized glory.


Photograph by Petr Kratochvil via Public Domain Pictures. Used with permission.

Sunday, April 7, 2013

This idea of place



It was important, this idea
of place, in the sightings:
the cave, the road, the beach,
the room. The sightings
alone insufficient; they had
to be sited and placed,
to give them a name:
I saw him by the cave
I saw him on the road
I saw him in the room
and then I didn’t
I saw him tending fire
on the beach. Place
centers the sightings,
giving them a name
so the sightings could
become citings.

Painting: Thomas by Caravaggio, Schloss Sanssouci, Potsdam

Sunday, March 31, 2013

He is not here



He is not here.
                   Devised a plan.
Do not be afraid.
                   “They’ve stolen the body away.”
He is risen.
                    They paid a bribe.
You will see him in Galilee.
                    We have no king but Caesar.
Strips of cloth by themselves.
Their eyes were opened.
Look at my hands.
Feed my lambs.
                    We have no king but Caesar.
Care for my sheep.
Feed my sheep.
                    We have no king but Caesar.
Go and make disciples.
                    We have no king but Caesar.
I am with you always.

He is not here.
He is risen.


Illustration by David Wagner via Public Domain Pictures. Used with permission.

Sunday, April 8, 2012

Three days



The rising sun erases
the parenthesis of Saturday
that last Sabbath

and so confusion
the earth shakes
reminder of Friday

guards cower as
a glowing white rolls
away the stone

what is left to death:
strips of linen
and emptiness

Sunday begins because
of what was not there.

Friday, April 1, 2011

Mike Duran's "The Resurrection"

Armando Amaya has died too soon, too young. Family and friends gather to mourn. One family friend, Ruby Case, is so moved that she touches the dead boy’s hand as she view his body in the casket.

Armando sits up in his coffin.

Ruby’s pastor, the Rev. Ian Clark, has almost reached the point of no return in his crisis of faith. As the minister for Canyon Springs Community Church in Stonetree, California, Clark is walking away from his faith, his resignation letter ready to deliver to the elders – in spite of the occasional visits of Mr. Cellophane.

Mr. Cellophane is a rather frightening apparition showing up in the Clark’s church office about once a week.

Ruby Case and Ian Clark will learn that the resurrection of Armando and the appearance of Mr. Cellophane are not unrelated. Something is happening in Stonetree, something evil.

In The Resurrection, his first novel, Mike Duran assembles the contemporary fascination with the occult, a crisis in faith, an unlikely heroine, a professor too tolerant for his (and others’) own good, secrets buried in the distant past, and a prayer group ready to wage war to produce The Resurrection, a supernatural mystery and thriller that forced me to read it to the end late one night when I should have gone to sleep.

The story is fast-paced, with Duran moving the reader from key event to key event in the narrative, artfully controlling the story line to keep us guessing and wanting more. In the process, he examines the role of academia and seminaries, the current yen to tolerate just about everything and anything, those innocent little occult shops with the funny smells, the hollowing out of the church, and the unseen spiritual realm. He even manages to ease the tension at one point with an errant iguana. And there is that stone tree, the one the town is named for, the scene of an old suicide, or murder.

The Resurrection is a well-written, well-constructed and riveting story, full of flawed human beings who are recognizable because they are flawed. Duran’s people do stupid, foolish and courageous things, and find themselves on the front lines of a war they hadn’t even dreamed of.

Related:

Mike Duran blogs at deCompose.