Friday, July 26, 2024

There is a purpose


After Ephesians 4:7-16
 

There is a purpose

in what is done here,

a purpose two-fold,

explain why you are

surrounded by helps,

guides, teachers, people

with all kinds of gifts.

 

First, we are to grow,

mature, learn, know,

meld what we learn

to our inmost beings,

so that we are no longer

tossed on the winds and

waves of culture, error,

evil, cunning, all of which

we call the world.

 

Second, we become one,

one body, speaking the truth

in love, growing in love,

love for the body and

love for the head. That love

translates into the command

and the action: to serve

in the Name, to serve

in the Power.

 

Photograph by Jeremy Bishop via Unsplash. Used with permission.


Some Friday Readings

 

O Gracious Shepherd – poem by Henry Constable at Kingdom Poets (D.S. Martin).

 

To See the Face of God is to See Mercy – Andrew Arndt at Mere Orthodoxy.

 

Following Whitsun – poem by Connor Wood at Rabbit Room Poetry.

 

Mary Magdalene – sonnet by Malcolm Guite.

 

The Crooked Apple Tree – Seth Lewis.

Thursday, July 25, 2024

Some Thursday Readings


No, Taylor Swift is not Mary Shelley – Henry Oliver at The Common Reader. 
 

Left in the Rain – poem by Renee Emerson at Story Warren.

 

Remember when Atlanta’s eastside was a battlefield? – Thomas Wheatley at Axios.

 

No Mystery: The Enduring Appeal of Inspector Maigret – Adam Hill at Miller’s Book Review.

 

Ranked: Average Working Hours by Country – Marcus Lu at Visual Capitalist.

 

Story Only God Could Write: One Church Transforms Lives of 77 Kids Without Families – Billy Hallowell at Faithwire.

 

The Wise Men – poem by G.K. Chesterton at Rabbit Room Poetry. 

Painting: Mary Shelley, oil on canvas (1840) by Richard Rothwell (1800-1868)

Wednesday, July 24, 2024

Sometimes Fiction Imitates Life


You read a book like A Place on Earth by Wendell Berry, and you’re reminded of your own family and where you came from. Characters like Burley Coulter and Uncle Jack seem to be almost lifted wholesale from what I remember of many of the “characters” I knew as a child. 

My father’s family lived mostly in the Shreveport, Louisiana, area, with a much larger group in Brookhaven, Mississippi (it was my grandfather who would wander away from Brookhaven and settle first in central Louisiana, in a town called Jena. He was working as a surveyor for a railroad company, and he lived in a boarding house operated by my great-grandmother and his eventual mother-in-law. 

 

My father and his three sisters were all born in Jena but had moved to Shreveport by the late 1920s. Rubye was the oldest, followed by my Aunt Myrtle, my father, and my Aunt Ruth. There would have been an Aunt Elouise, born two years before my father, but she died the same year my father as born.


To continue reading, please see my post today at Dancing Priest.


Photograph: My father and my Aunt Ruth about 1923.


Some Wednesday Readings

 

Unravelling the Mystery of Agatha Christie’s Country Retreat – Dean Jobb ay Crime Reads.

 

On Stones: Carving in the granite capital of the world – Ellyn Gaydos at Harper’s Magazine.

 

When I Am Dead, My Dearest, poem by Christina Rossetti – Sally Thomas at Poems Ancient and Modern.

Tuesday, July 23, 2024

“A Place on Earth” by Wendell Berry


It’s early 1945 in Port William, Kentucky. The war has been dragging on, but U.S. forces have survived the Battle of the Bulge. With a number of men involved in the fight in both the Atlantic and Pacific theaters, residents keep a close ear on the news. 

Mat and Margaret Feltner receive a telegram. Their son Virgil is missing in action. That’s all that’s known. Virgil’s pregnant wife Hannah, who lives with the Feltners, gets the news at the same time. The not knowing is a kind of limbo state, and the family somehow has to come to terms with it. It will become even harder for Mat than it does for Hannah or Margaret.

 

The Feltner family is at the heart of A Place on Earth, the fifth of the Port William novels by Wendell Berry. First published in 1967 (with a new, edited version issued in 1983), the novel is in turn funny, tragic, moving, and exhilarating. It contains laugh-out-loud moments, and it has moments when you’re reaching for the tissues. It’s about family, fathers and sons, the land, community, and the people who are the community.

 

Wendell Berry as a young man

Berry has created some memorable characters. Uncle Jack Beechum had me laughing with his stories about funerals at the church. Burley Coulter is the steadfast friend. Ernest Finley, wounded in World War I, is the carpenter who gives his heart. Mat is a man of nobility and steadfastness who begins to crack. Ida and Gideon Crop experience and struggle to overcome great tragedy. As individual as they are, they’re recognizable. They are people you know; some are you own kinfolk.

 

The author also shows himself capable of throwing a curve ball when you least expect it. And once it’s thrown, you realize just how right it is and how well it fits into the story.

 

Berry is a poet, novelist, essayist, environmentalist, and social critic. His fiction, both novels and stories, are centered in the area he calls Port William, Kentucky, on the Ohio River. He’s won a rather astounding number of awards, prizes, fellowships, and recognitions. He lives on a farm in Kentucky.

 

A Place on Earth is a profound story, one that changes you when you read it. It’s also one worth reading over and over again.

 

Related:

 

My review of Berry’s That Distant Land.

 

Wendell Berry and the Land.

 

My review of Berry’s Jayber Crow.

 

Wendell Berry and This Day: Poems at Tweetspeak Poetry.

 

Wendell Berry and Terrapin: Poems at Tweetspeak Poetry.

 

Wendell Berry’s Our Only World.

 

The Art of the Commonplace by Wendell Berry.

 

Nathan Coulter by Wendell Berry.

 

Andy Catlett: Early Travels by Wendell Berry.

 

A World Lost by Wendell Berry.


Some Tuesday Readings

 

Slow to Grow – poem by Andrew Stevenson at Creative Ramblings. 

 

The Vision of George Washington – poem by Monika Cooper at Society of Classical Poets.

 

The Greek City of Rome Before the Romans – Caleb Howells at Greek Reporter.

 

Sestina of Human Longing – poem by Katharine Whitcomb at Every Day Poems.

Sunday, July 21, 2024

How to resist


After Ephesians 4:11-16
 

To resist the deceit,

the forces arrayed

against us, the strategy

is simple: we speak

truth, the truth in love;

we grow up and into

the One who died for us;

we hold together as one,

one body, a unit working

as one, because we have

been equipped to function

as one, this body of many

working together to hold

itself up into love.

 

Photograph by svklimkin via Unsplash. Used with permission.


Some Sunday Readings

 

The Hollow Men – poem by T.S. Eliot at Academy of American Poets.

 

The Truth of Beauty: Educating the Moral Imagination – Benjamin Lockerd at The Imaginative Conservative.

 

Hobbits and Third-Culture Kids – Seth Porch at Desiring God.

 

Where Loss Leads: Why Grieving People Need a Theology of Giving – Pierce Taylor Hibbs at The Gospel Coalition. 

 

Prayer (1) – poem by George Herbert at Rabbit Room Poetry.

Saturday, July 20, 2024

Saturday Good Reads - July 20, 2024


Last Saturday, July 13, a man attempted to assassinate Donald Trump at the Butler County, Pennsylvania, county fair. Many – too many – newspapers didn’t report it the next day, not because they hate Trump but because they print Sunday newspapers early, and production was well underway. It’s a function of what’s happening in the newspaper business – early printing deadlines, pared down editorial and production staff, advertisers preferring other sources, declining newspaper readership, and more. The St. Louis Post-Dispatch recently announced it would no longer publish a print edition on holidays, supposedly to give its carriers the day off but really because it’s in retreat toward publishing online only for cost reasons. Rick Edmonds at the Poynter Institute has the story on the July 13 news, or lack thereof.

 

Aleksandr Solzhenitsyn was the darling of the Western news media in the early 1970s, because he was resisting the Soviet regime and embarrassing to Richard Nixon as he pursued détente with Brezhnev and friends. And then the writer gave a speech at Harvard in 1978, and suddenly he’d become, in the news media’s eyes at least, a right-wing fundamentalist wacko. But as Gary Saul Morson writes in Commentary, Solzhenitsyn clearly saw what was coming with Western culture.

 

If I had to pick a favorite gospel, it would likely be the Gospel of John. It was the first book of the Bible I read after becoming a Christian. It’s also different from those of Matthew, Mark, and Luke; for one thing, John skips the entire birth narrative of Jesus. (And my ESV Study Bible reminds me that not one of the gospels has a stated author; their associated names come from tradition and early church history.) Theologian Michael Kruger at Canon Fodder has a favorite gospel, too, and he explains why.

 

More Good Reads

 

Writing and Literature

 

Fiction is not real – B.D. McClay at Notebook.

 

The Enduring Charm of Jane Austen – Suzie Andres at The Imaginative Conservative.

 

American Stuff

 

Redeeming (Mostly) Thomas Jefferson – Bradley Birzer at The Imaginative Conservative.

 

The Portal: Donald Trump, Elon Musk, and stepping back into American history – David Samuels at Tablet Magazine.

 

Life and Culture

 

The surrender – Matt Taibbi at Racket News.

 

On Pilgrimage and Package Tours – Tara Isabella Burton ay The Hedgehog Review.

 

What Would It Take to Recreate Bell Labs? – Brian Potter at Construction Physics.

 

Faith

 

Stop Calling the Church a “Family” – T.M. Suffield at Nuakh. 

 

Is the History of the Bible Important? – Justin Hoffman.

 

Art

 

Touches – Sonja Benskin Mesher. 

 

Poetry

 

Poets – Andrea Potos at Every Day Poems.

 

Death, Be Not Proud, poem by Jone Donne – close reading by Karen Swallow Prior at Rabbit Room Poetry.

 

“Voices of the Air” by Katherine Mansfield – Sally Thomas at Poems Ancient and Modern.

 

British Stuff

 

At Highgate Cemetery – Spitalfields Life.


Deepfake World – Paul Kingsnorth 



Painting: Boy Reading Adventure Story, oil on canvas (1923) by Norman Rockwell (1894-1978), originally published in the Chicago 
Tribune.