Thursday, July 8, 2010

Vicki Hinze’s “Forget Me Not”

Benjamin Brandt is trying to recover from the murder of his wife Susan and his son, and not doing too good of a job of it. He’s avoided the Crossroads Crisis Center he founded, because too much of it reminds him of his dead wife. He’s walked away from his faith.

And then into the center walks a young woman who looks remarkably like Susan, who says her name is Susan, and is wearing a piece of Susan’s jewelry. The only problem is – she has no memory, except that she believes in God. She’s been kidnapped on the streets on New Orleans, beaten and left in woods near the town where Ben lives. And it becomes clear that her kidnapping is tied to the murder of Ben’s family.

Yes, Forget Me Not by Vicki Hinze is one of those “I can’t put it down because I can’t wait to find out what happens next” suspense books. It’s fast-paced, and crazy things happen on virtually every page. The book starts with a murder and is filled with crosses and double-crosses, so many, in fact, that you have to keep reading to keep them all straight. And it also is a bit of a romance that happens so quickly you’ll miss it if you’re not looking for it.

This is the first in a “Crossroads Crisis Center” series that Hinze will be publishing with Multnomah.

(Attention, Federal Trade Commission: my name was selected at random in a drawing for this book by a blogger, so I didn't receive this from the publisher, agent or author or anyone else who might profit by giving me the book.) (Sigh.)

Wednesday, July 7, 2010

Pleasantly and Randomly Disturbed Thursday


Some randomly but pleasantly disturbed thoughts:

Crude oil has now shown up in the eastern end of Lake Pontchartain in Louisiana, not far from where my brother lives. The BP crude oil spill is turning into the worst man-made environmental disaster in U.S. history. This is beginning to remind me of the earthquake that struck Mexico City in 1986 – the central government was singularly unable to respond so the people took to the rubble and did the search-and-rescue themselves. And it led directly to the end of the governmental monopoly the ruling political party had enjoyed for decades.

One of the comments on my blog post last week on “Organizations and Bad Bosses” asked if, knowing what I know now, would I have done anything differently then. The answer is yes – I would have made myself even more obnoxious with management to get help for my alcoholic boss. The story did not have a good ending; the boss died before turning 40.

I’ve been reading Mere Churchianity by Michael Spencer, the “Internet Monk” who shook up a lot of people in evangelical circles with his op-ed article last year in the Christian Science Monitor entitled “The Coming Evangelical Collapse.” So far, I’ve moved from distinct discomfort (I recognize too much) to close reading to a kind of wonder. It’s well worth reading, and I’ll be writing an extended article on it. Spencer died of cancer in April, but friends are maintaining and adding to his 10-year-old blog site.

Speaking of reading, on Monday I finished the 126-page volume of Dietrich Bonhoeffer’s Prison Poems, edited and translated by Edwin Robertson. It was published in 1999. I didn’t know he wrote poems while imprisoned by the Nazis, and now I’m spurred on to read more about him (there’s a new biography out, too). Years ago, I had read The Cost of Discipleship and I will likely reread it now. The poems are sobering. I’ll be doing a review for TweetSpeak Poetry.

Yesterday, I did a 20-mile bike ride before I went to work – leaving at 5:45 a.m. It was the coolest part of the day but I was still drenched by the time I got home. I was also verifying my field research for my post on biking Grant's Trail, and it still holds true.

We have a reunion picnic this weekend of people who live and used to live in our neighborhood. It’s that kind of neighborhood – 15 houses built in 1986 in an older suburb of St. Louis (the land was a flower and plant nursery). Reunion attendees include people who live there now (like us), people who used to live there (like former homeowners) and our grown children (and their children, in some cases). And I get to have another grandbaby fix. Speaking of which:


For several weeks now, Duane Scott has sponsored “Pleasantly Disturbed Thursdays,” asking bloggers to share whatever thoughts come to mind. Check his site to see all of the other pleasantly disturbed people.

Lament? What?

In God in the Yard: Spiritual Practice for the Rest of Us, L.L. Barkat writes about the importance of lament. When I read this chapter (entitled “open: prayer”), my first response was – lament? Am I supposed to lament as one form of spiritual practice? I’m an American; Americans don’t lament. We move on; we get on with it; we look forward, not backward. In a way, lament smacks of weakness.

Exactly.

Perhaps that’s what this is really about. To lament is to acknowledge that some things (at least) are beyond your control and influence, that you have blown something and badly, that you have let someone down or hurt someone or made a serious mistake. It means that that you have a sorrow in your soul, and more than that, it has to be articulated in a context of something larger than the sorrow.

One of the exercises suggested by Barkat is to make a list of laments and then to write a psalm, inseritng the laments into the framework of lament/praise to God/lament/praise to God. Just like David did in the psalms he wrote. What emerges is a poem, a kind of song (which is what a psalm is).

My heart is weak, my spirit too sensitive.
Give thanks to the Lord for He is good, and His love endures forever.
I have wasted much time in my life, and what I have left is short.
Give thanks to the Lord for He is good, and His love endures forever.

My tongue is more courageous than my heart.
Give thanks to the Lord for He is good, and His love endures forever.
My arms are weary, my muscles weak.
Give thanks to the Lord for He is good, and His love endures forever.

I fear stupidly, forgetting the creator of the universe.
Give thanks to the Lord for He is good, and His love endures forever.
Too quick to take offense, I crave man’s favor and ignore God’s mercy.
Give thanks to the Lord for He is good, and His love endures forever.

I stand naked before the cross,
all pretence stripped away, and
I am ashamed.
Give thanks to the Lord for He is good, and His love endures forever.

He has cleaned me,
He has scoured me.
He has called me child, His.
He has dressed me in a robe of brilliant white.
He has placed a crown upon my head.
He has touched my cheek with His kiss.
Give thanks to the Lord for He is good, and His love endures forever.


Related:

Hide by Laura Boggess at The Wellspring.

Tuesday, July 6, 2010

The Community of the Early Morning Trail

Almost six years ago, I took up biking. I’d always wanted to do it and had reached an age where it was time to either bike or shut up. So I bought a hybrid bike (what is now called a “leisure bike” to appeal to aging Baby Boomers) and off I went. Two years later, I bought a road bike and discovered speed.

One of my regular rides is Grant’s Trail in suburban St. Louis, which has its northern trailhead about 1.5 miles south of my house. Door to door, it’s a 20-mile ride for me. It’s a relatively easy ride – no hills (although there’s one major “false flat” that looks flat but is actually a mile-long incline), fairly long stretches without having to cross at streets, and some interesting side scenery like the Clydesdale horses at Grant’s Farm, which used to belong to Anheuser Busch but is now owned by InBev AB.

I’ve biked the trail at all times of the day, weekends and holidays. And I’ve noticed there are at least two distinct communities who “inhabit” Grant’s Trail – one I would call “The Community of the Early Morning Trail” and the other “The Community of the Early Evening-Weekend-Holiday Trail.”

In the early morning, from 5:30 to about 7:30 a.m., the trail has a small but regular group, and they they’re either bikers, runners of walkers (the rollerbladers wait until the late afternoon or early evening during the week). I’ve noticed that they tend to fall into categories:

Second Childhooders. They always ride the trail by themselves, invariably are men in their 60s, and they will bike as long as they can without using hands, just like they did when they were children. (“Look ma, no hands!”). I can’t explain why they do this other than they’re reliving when they were 9 or 10 years old.

Professionals in training. These are lone riders who are training for a race, criterium or century. You only know them by the breeze they leave behind them as they pass you at twice the speed you're riding. They never smile. Never. They do, however, scowl. Some scowl so well that they must practice for hours in front of the mirror.

Teams in training. At least four people, and usually six or more, who are training for a race. You can tell because they are drafting – lined up in single formation and riding very, very close to each other’s back wheel. They’re usually moving at something approaching the speed of sound. Unlike individuals in training, team members will smile. Sometimes. One might even say good morning as they leave you in their vapor trail.

Triathletes. They’re always on a bike (they can run anywhere and the trail isn’t conducive to swimming). You can tell triathletes by their clothing (black biking shorts and a black armless t-shirt) with a monitor attached to their arm to check pulse, heart rate, etc. They also never smile or speak. If you tell them good morning when your stopped at one of the street crossing lights, they might grunt in reply.

Doctor’s Orders Walkers. These are usually men who’ve been ordered by their doctor (or their wife) to get exercise each morning. They’re on the trail against their will, and their countenance will prove it. They walk face down and not very fast. They are enduring a daily trial, and they are not happy. This is the group that if you say good morning, they will respond with “What’s so good about it?”

Jubilantly Athletic Walkers. This is the group, usually women in their 40s and 50s, who enjoy walking, usually in pairs or trios. They talk and walk fast. Some carry five-pound weights and are vigorously moving their arms up and down as they walk. They are so engrossed in their conversation s that they are generally oblivious to other walkers and all bikers, so this is the group you usually have to be the most careful as you ride near them on an early morning ride.

The Walking Tea Party Ladies.”Tea Party” here does not mean a political group; it takes the original meaning. These are generally ladies in their 70s who walk the trail each morning. Sometimes it’s only two; other times, as many as six. They chat with each other; smile at and greet other walkers and bikers; and don’t seem to mind the stone-faced, scowling, mad-at-the-world crowd. They will strike up a conversation at the crossing lights. They have a set time and routine, driving to the parking lot of the Trailnet office, walking from there to end of the trail and back (about 1.5 miles), and then they go home. I like this group the best; it’s always nice to see their smiles.

The group I fit in – Professional Amateurs – isn’t usually riding the trail in the early mornings. Next week I’ll cover them and others in “The Community of the Early Evening-Weekend-Holiday Trail.” This is where things can get nasty.

Monday, July 5, 2010

The Stone of Summer

There were no trees when
the hole was dug and filled and
covered, when the stone of
summer was put in place,
granite remembrance of
what had been a summer
love.

There were no intertwinings of
leaves and branches to filter
summer light, no canopy to
shield the letters and numbers
from sun and wind and rain
and snow, no birds to screech and
caw.

There was no closeness of a
summer place to protect a
mourning heart, to wrap its
arms of forest mist around heaving
shoulders, to mute and hide the
pain of a summer
loss.

There was only a rise upon a
field and grass and light and
darkness to sit with a
young farmer whose heart was
rendered dull with the
absence of a summer
smile.

He sits with her still, singing a
song of lilacs and daisies and
roses, whispering a love,
uttering a silence, as
the roots of the trees
summon the stone of
summer.


Over at The High Calling Blogs, L.L. Barkat has issued a call for a Random Act of Poetry on “a tablespoonful of summer.” This particular poem was inspired by a photograph posted this past weekend by Nancy Rosback at Poems and Prayers.

Sunday, July 4, 2010

Writing, Music and Airplanes to San Francisco

I was on a plane from St. Louis to San Francisco, to attend a conference. It was a Friday, if I recall correctly, in mid-October of 2002. I checked the in-flight music listings, and was skimming through the selections when I heard a voice that stopped me cold. The voice belonged to Greek tenor Mario Frangoulis, and it was unbelievably beautiful.

I was staying in downtown San Francisco, and on my way to Kan’s Chinese restaurant in Chinatown (yes, I’d eaten there before) I stopped at a Border’s on the off-chance they might have the CD I had listened to on the plane. The CD section was on the top floor, and as the escalator deposited me there I was immediately confronted with a store display for – I am not making this up – the very same CD by Mario Frangoulis I had listened to on the plane. (Since then, my wife and I have gotten to hear him live in concert at the Sheldon Theater in St. Louis – and he is just as good live as he is recorded.)

The CD, entitled “Sometimes I Dream,” includes “Nights in White Satin” (sung with Justin Hayward) and “Buongiorno Principessa,” the film score for the movie “Life is Beautiful” which won an Academy Award a few years back for best foreign language film. (I wouldn’t see it when it was first released because it was about the Holocaust, but my wife made me watch it at home one night and I cried like a baby at the wonder of it.)

Another song on the CD is called “Luna Rossa,” and it is a lively, Latin-beat kind of song sung in Italian so I can’t tell you what it’s about except I would guess it’s a love song. But when I first heard it on that airplane ride (and every time I’ve heard it since), for some weird reason it put an image in my head – the image of a priest dancing on a beach at night. The more closely I examined the image, I realized that it was an Episcopal priest who was dancing (how I determined that I’ll never know). And the priest was leading a conga line – on the beach. And a young woman was part of that dancing line.

I didn’t do anything with that image, but it came back every time I listened to the CD. Late one night, lying in bed and unable to sleep, I began to frame a story about the image. Over the next two years, the story grew and changed and morphed and the dancing-on-the-beach bit disappeared and so did Italy. But the story stayed in my head for two full years, until one day I decided to put a small piece of it on paper or, more precisely, on the computer screen. I listened to the CD as I wrote. One day, I looked up, and I had a manuscript. In the meantime, I had bought another of his CDs, and yes, you guessed it, one manuscript had become two, with six very extended “treatments” for related manuscripts behind it.

I’ve alluded to a different manuscript from time to time and even posted a small piece of it on this blog. I’m not using Mario Frangoulis for this one; instead, I’ve been listening to Jim Brickman’s “From the Heart.” Brickman’s music and the words I’ve written have become forever connected in my head, to the point where I can’t think of one without the other. Earlier this year, my wife and I heard Brickman in concert, and when he played the song “Bittersweet” from that CD, I knew exactly which scene it was in my manuscript.

Julia Cameron, author of The Right to Write: An Invitation and Initiation into the Writing Life, would not be surprised by any of this. “The conscious use of sound in our writing – like a great sound track in a film – cues the unconscious,” she says. “It brings a host of associations that are more subtly and acutely felt than visual images alone. Sound makes our writing ‘sound’ in the many senses of the word.”

I think I’ve joined the conga line with that priest.


Over at The High Calling Blogs, Laura Boggess has been leading Julia Cameron’s The Right to Write. Last week, the discussion was about making it, honesty and vulnerability. Last week’s discussion was about footwork, practice and containment. This week’s discussion is about sound, “writing but” and driving.

Related:

Dancing on Spec by L.L. Barkat at Love Notes to Yahweh.
Writing and Rocky Mountain Spotted Fever by Deidra at Jumping Tandem.
Music Everywhere by Nancy Kourmoulis at Treasures of Darkness.
The Real Reason for Highway Rest Stops by Marilyn at As Good A Day As Any.
Sound by Cassandra Frear at Moonboat Cafe.

Saturday, July 3, 2010

Saturday Good Reads

It’s all good.

Poetry

Rendezvous in Corn Country,” “The mystery” and “Choose your weapon” by Nancy Rosback at Poems and Prayers.

Are You Coming?” by Heather Truett at Madame Rubies Writes.

Daffodils” by Hadassah Fey at Umbra Vita.

Strong-arming” by Maureen Doallas at Writing Without Paper.

The War Begins” and “Perfect Meal, Perfect Show” by Shaun Masterton.

God’s Bandage” and “The Irony of Reverse Engineering God’s Presence” by Karen Eck at Karenee Art.

No Longer Imagine” by Rob Kistner at Image & Verse.

New Life for the Reds in the Blue – Can I Say This?” by Fred Sprinkle at I Force It to Rhyme.

Dizzy” by Erin Kilmer at Together for Good.

How Light Bends” by Steven K. Griffin.

The Parable” by John Blasé at Dirty Shame.

No hands free” by Melissa at All the Words.

Prose

Who Am I?” by Pamela Wells McClinton at It Is by Grace.

I Love You. But Just a Little Bit” by Shaun Groves.

Should Stories Be Soap Boxes?” by K.M. Weilland at Wordplay.

Some Scars Tell Stories” and “Discovering Your Strength” by Duane Scott at Then Life Happens.

Katdishionary” by Kathy Richards.

The little people” and “You Just Don’t Look Like A Writer” by Billy Coffey.

Table Manners” by Erin Kilmer at Together for Good.

Belated Father’s Day Letter” by John Blasé at Dirty Shame.

Leaving” by Susan Etole at Just…A Moment.

Pool Rules and the Café of Sadness” by Charity Singleton at Wide Open Spaces.

Your Mid-Year Review” by Bradley Moore at Shrinking the Camel.

Resting” by Michelle DeRusha at Graceful.

The Boss of the Cornfield” by Becky Ramsey at Wonders Never Cease.

Paintings and Photographs

Secret Pollination” by Laura Boggess at The Wellspring.

The Fragile and the Awesome” by Michelle DeRusha at Graceful.

Endless Beauty: Cornfield, Sao Paulo, Brazil,” National Geographic photo via Jonahh Oestreich at Jonahh’s Blackbox.

What Happens When I Don’t Look” by Corinne at Trains, Tutus and Tea.

Figure Study,” watercolor on paper, and “Creek Detail,” oil on canvas, by Randall David Tipton.

Within Reach” by Susan Etole at Just…A Moment.

Road Trip” by Michelle DeRusha at Graceful.

Driftwood Day” by Kathleen Overby at Neotony.



Photograph: Lamp by Nancy Rosback. Used with permission.