Thursday, July 27, 2017

“Bedford Park” by Bryan Appleyard


Bedford Park in west London was the world’s first garden suburb. A planned community, its residents included poet William Butler Yeats, the painter Camille Pissarro, and many other actors, writers and artists.

Bedford Park is also the title of a 2013 novel by Bryan Appleyard, set mostly in the garden suburb. It is largely the story of Calhoun Kitt, a wealthy Chicagoan who leaves America and settles in London. Kitt tells the story of Bedford Park and its residents, and the larger story of London. And that story involves a rather gruesome murder, artistic people who seem to float from salon to fete and back to salon, and Kitt’s own inability to create a life for himself, instead simply responding to what s most forceful at the moment.

The cast of characters include both fictitious and actual people. Kitt is an invention, his name taken from a story by G. K. Chesterton. But Yeats and his muse Maud Gonne, Ezra Pound, Oscar Wilde, Ford Madox Ford, Joseph Conrad, and the notorious Frank Harris were all very real people.

Kitt, the narrator and central figure of the story, wears dove gray suits at a time when men of fashion wear black. The color is symbolic – neither black nor white – and it captures Kitt’s general indecisiveness in matters of work and career, love, and even his friends. When a local Bedford Park resident, Brian Binks, is murdered and his body left on the area’s Acton Green, Kitt looks into it, but not too strenuously. Life for these favored people continues as if uninterrupted. Kitt will learn the identity of the murderer years later.

The Bedford Park residents enjoy their get-togethers and their planned activities. They dapple in spiritualism, popular at the time. They live very sheltered, very privileged lives, and very little is allowed to interfere with that privilege.

Bedford Park is a story of the late Victorian and Edwardian period, and yet it could be the story of any privileged group living at any time. I had the odd sense throughout reading the novel that I could easily be reading about an artistically-inclined group in contemporary New York, Los Angeles, or even Washington, D.C.

Brian Appleyard
Author Bryan Appleyard was graduated from Cambridge University with a degree in English. From 1976 to 1984, he served as financial news editor and deputy arts editor at The Times of London. Since then, he’s been a freelance writer, author, and journalist, and been named Feature Writer of the Year three times and Interviewer of the Year at the British Press Awards.

He is currently a writer, commentator, reviewer, and columnist for The Sunday Times, and also writes for the New Statesman and Vanity Fair. He’s also written for many other publications, including The New York Times, The Spectator, The Daily Telegraph, and The Times Literary Review, among others. Appleyard is also the author of The Brain is Wider than the Sky: Why Simple Solutions Don’t Work in a Complex World (2012).

Bedford Park is well written, and an interesting take on well-known literary and artistic people. But what the reader is left with is the emptiness of the lives of people who enjoy their renown and privileges, fully believing they deserve them.

Top illustration: Bedford Park in London in the late 19th century.

Wednesday, July 26, 2017

“Does Prayer Change Things?” by R.C. Sproul


I never thought of prayer as controversial until the last 10 to 15 years, when a transition began to be noticeable. When someone or a loved one was experiencing a serious crisis or illness, people used to say “Our prayers are with you” or “I’m praying for you.” As culture shifted in a decidedly more secular direction, the statement became “Our thoughts and prayers are with you.”  Today it not uncommon to find prayers dropped altogether and people say “Our thoughts are with you.”

I’ve wondered how long a thought lasts, as thoughts can range from deep to fleeting. Does a fleeting thought count in offering consolation?

Perhaps wondering what might have happened to prayer, R.C. Sproul asks a basic question: does it matter?

In Does Prayer Change Things?, Sproul takes a succinct but hard look at this endeavor called prayer. He doesn’t limit himself to explaining what prayer is, but instead expands his discussion rather alliteratively to six aspects: the place of prayer, its purpose, its pattern, the practice of prayer, the prohibition of prayer, and the power of prayer. Right up front he provides his overarching perspective: “Prayer to the Christian is what breath is to life, ye no duty is so neglected.” It’s a privilege and a duty, and “any duty can become laborious.” And prayer requires work.

R.C. Sproul
Sproul uses the Lord’s Prayer as both a guide and a suggested pattern to follow, suggesting the familiar “ACTS” acronym (Adoration-confession-thanksgiving-supplication). It is a discourse or deep conversation with God, and over time, as one becomes more practiced in it, it becomes far mre about God and far less about self and the needs of self.

Sproul is the author of numerous books, articles, sermons, and speeches on Christianity, church history, theology, Calvinism, and related topics. He leads the teaching fellowship Ligonier Ministries, based in Sanford, Florida. Does Prayer Change Things?, originally published in 1998 and revised in 2009, is No. 3 in the Crucial Questions series, now including some 25 topics and free as eBooks.

Does Prayer Change Things? is simple and straightforward, designed for a general audience. It’s filled with insight and wisdom, and can be useful for both new and experienced Christians.



Top photograph by Ben White via Unsplash. Used with permission.

Tuesday, July 25, 2017

Poets and Poems: Jeremiah Webster and “After So Many Fires”


From the first poem in the collection After So Many Fires by Jeremiah Webster, you know you’ve entered a landscape different from so many contemporary collections. There is no irony, no cast of a jaundiced eye or air of boredom and disillusionment, no personal angst or confession.

Instead, in the poem “Credo,” we discover the immense discomfort of attempting to live a structured life in a world gone mad: “There is the torching: / novels, martyrs, torching / of twenty-one centuries as the world falls apart. / I study my books / as the world falls apart.”


To continue reading, please see my post today at Tweetspeak Poetry.