Georges Bernanos
(1888-1948) was the author of some 16 works, published between 1926 and 1945. Bernanos
is known as a “Catholic author,” and for good reason – several of the novels he
wrote had a Catholic priest as the central character. The novel which is
perhaps his best known work is The
Diary of a Country Priest ( Journal
d'un Cure de Campagne), published in 1936.
It’s a rather singular
novel, a quiet story about a young priest assigned to the village of
Ambricourt. He’s not paid much, being rather low on the hierarchy, and money is
always a source of anxiety. It would be a source of desperation without an aunt
who occasionally helps out.
He records his
experiences in his diary. We know he was raised in a peasant family, and that
he lived with an aunt for a time as a child when his mother was seriously ill. He
has conflicts with bratty schoolgirls, with Madame la Comtesse and her
daughter, with Monsieur Le Comte. He seeks guidance from his mentor, an elderly
priest. He writes to and receives letters from a friend at seminary who left
the priesthood.
His digestion is
not good; he resorts to eating bread soaked in wine because it’s the only food
his stomach can tolerate.
Georges Bernanos |
It is in his
conflicts and interactions with the people in his parish that we see this young
man, this young priest, working hard to remain faithful to his vows. Daily he
confronts the sins of society (all the deadly ones plus the less-than-deadly
ones). He’s also confronting the encroachment of secularization. Somehow, his
faith survives intact, and he lives it each day with grace and even a kind of
beauty (not to mention the stomach pains). In fact, this young priest comes to
exemplify grace, a Christ-like grace.
Gradually we come
to understand he is sick, possibly terminally ill. Still, he continues to serve
his parish.
What we never
learn is his name.
The Diary of a Country Priest is a thought-provoking story of grace and serving
in a time of growing unbelief.
Photograph: French actor Claude Laydu
playing the title role in the 1951 film based on Bernanos’ The Diary of a Country Priest. The film was directed by Robert
Bresson.
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