I
usually resist reading novelizations of movies. Often hurriedly written, based
completely on a movie script, novelizations are often marked by poor writing
and a story less than satisfying than the movie itself. I particularly resist
novelizations of movies I haven’t heard of, or that I’ve heard of but haven’t
seen.
Home
Run
by Travis
Thrasher is a bad example of the point I’m trying to make. I hadn’t seen or
heard of the movie. And it’s ostensibly about baseball; I’m not a fan of sports
novels. But I read this book. And I read simply because of the author who wrote
it.
Chicago-based
Thrasher is a fine writer. I’ve read nearly all of his books. Sky
Blue (2007) is one of my favorite novels (I’ve read it twice, and it
gets better the second time.) He’s written across a number of fiction genres,
and does all of them very well indeed.
So
I trusted the author and read Home Run,
based on the script for the movie
of the same name. And I met a hero who’s one of the most despicable human
beings you’re likely to come across.
Corey
Brand plays baseball for the Denver Grizzlies. If there’s one thing Corey knows
how to do, it’s hit home runs. It may be the only admirable thing about him.
Arrogant, unfeeling, uncaring, disconnected from his brother and his family.
Drives fast cars, and drives them fast. Endless streams of women.
And
alcohol. Corey Brand has a serious substance abuse problem. He’s in a hitting
slump, and it’s contract renewal time.
Travis Thrasher |
His
agent packs him off to Okmulgee, Oklahoma, his home town. He has to spend eight
weeks in a rehab program. Even before he arrives in town, he totals his rental
car and injures his brother in the process.
And
in his hometown, Corey has to face and confront his past, including the dead
father who’s verbal abuse drove Corey away and shaped him into what he’s
become, good and bad. And he has to face and confront the girlfriend he left
behind, the girlfriend who was pregnant.
Like
I said, a pretty despicable human being.
But
Thrasher tells a good story. He’s not content simply to pull from a movie
script. He ads depth to the characters. He adds depth to the story. And what
could have been just another thin novelization becomes a story worth telling
and a story worth reading, about how a man learns forgiveness and finds
redemption.
I
was right to trust my gut about a Travis Thrasher story.
Here’s
the official trailer for the movie (which I still haven’t seen, and I may not
since I don’t want it to run the chance of it ruining the novelization).
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