Great Poetry as Seen by Comic Artist Julian Peters

Comic artist Julian Peters is inspired by great poetry, and for a specific reason. Poetry, he writes, shares common characteristics with comics – the notion of rhythm, repetition of visual elements, and the use of juxtaposition, to mention three. That’s what poetry and comics have in common, but Peters wanted to go beyond what he saw as obvious.

It was the love of beauty, the beauty inherent in great poetry, that led him to visualize what that poetry might look like in comic art. And so, he set out to “translate great poems into the visual language of comics.” The result is Poems to See By: A Comic Artist Interprets Great Poetry. 

To continue reading, please see my post today at Tweetspeak Poetry.

“Beautiful Sky Beautiful Sky” by Stephen Parolini

David Tinker is something of a mess. Seventeen years old, and he and his father abandoned by his mother some years before, David exists in a perpetual haze of marijuana smoke, cigarette smoke, and alcohol. He’s a big guy, former school football player, and he’s completely into music and his notebook. He writes down his thoughts, and some are astonishing in their insight and clarity.

He’s dating, a more than dating, a girl named Wendy. She’s walked away from her church youth group and is clearly far more into David than he is into her. David’s school choir teacher, Mr. Halston, encourages him to sing and even try out for a significant part in an operetta, but David and his friends prefer to spend their time at the local quarry, drinking, smoking, and listening to music. David’s life is going nowhere fast. 

And then, almost inevitably, tragedy strikes. And the David Tinker who comes out on the other side has to learn how to take control of his life and essentially grow up.

Stephen Parolini

Beautiful Sky Beautiful Sky by Stephen Parolini can almost be seen as two novels bound together by common characters. There’s a pre-tragedy story and a post-tragedy. I’ll confess to an initial impatience with the pre-tragedy story, a long repetition of alcohol, marijuana, and generally dissolute behavior. But the post-tragedy clarifies that long pattern of misbehavior, and what happens could only have happened with the first David Tinker. It’s a coming-of-age story, aimed at teens, but it is also a story for adults, one that helps us understand what happens to young people who seem to have so much going for them.

It’s also a story about art, music, and writing, about what they mean and how we use them – to connect with each other and to connect with ourselves.

Parolini has been an editor for more than 28 years, working on a wide array of projects – curriculum, study guides, self-help books, fiction, and more. In addition to Beautiful Sky Beautiful Sky, he’s published two other novels – Duck (2014) and Stolen Things (2016). He blogs at Novel Doctor: Wisdom and Nonsense for Writers. Fiction, he says, is his first and primary love.

By the time I finished Beautiful Sky Beautiful Sky, I ended up doing what I didn’t expect at all at the outset – I fell in love with this book. To one degree or another, we all have something of David Tinker in us, something that’s worth being redeemed and set right.

The law

After Romans 3:1-20

We love the law.

The law is a sweet thing,

designed to keep us in line,

aimed at limiting our behavior

and action, focusing on reminding

us that we fail in the face of it. Perhaps

that’s the point. Even when we think we

keep it we don’t. We can’t, even when we

set ourselves as our own little laws, wearing

our self-made crowns, congratulating ourselves

on how good we are especially when compared to

the person standing next to us, to me. Yes, we love

the law,

our law.

Photograph by Anna Sullivan via Unsplash. Used with permission.

Saturday Good Reads

Jen Avellaneda is a writer, speaker, wife, mother, foster mother, and likely a number of other things. She and her husband had fostered some two dozen children over the years. She lives in Washington State, and right now, she and her family are on lockdown due to the coronavirus. She’s been writing about their experiences, and she’s well worth reading. 

All of the entries below under the title of Faith are about the coronavirus, because that is what on the minds of people of faith. There are some really good things being written – on the fear-driven life, on pursuing community when community cannot come together, about when life becomes like war, and how we may actually be becoming more like the New Testament church.

More than one person has observed that our cities in 2020 are looking more and more like paintings by Edward Hopper – lots of buildings and very few people. Ephemeral New York makes this point about New York City. And while it was accepted for publication sometime before coronavirus became a household word, James Matthew Wilson had a poem published in The North American Anglican that has a Hopper painting for illustration and oddly seems to anticipate the change that’s coming.

And last year, as the St. Louis Blues skated and battled their way to the Stanley Cup, a little girl in a hospital became a symbol, a mascot, and virtually a member of the Blues team. The video below shows what happened when Laila met the young man who donated his bone marrow to her and saved her life.

More Good Reads

Poetry

Ebenezer 2020 – Joe Spring at Joe Spring Writes.

'The Soul Waking Up' by Veniamin Blazhenny – D.S. Martin at Kingdom Poets.

 A Poem on the World Health’s Organization Praise for Beijing – Bruce Dale Wise at Society of Classical Poets.

Writing and Literature

Wendell Berry: The Poet of Place – Silas House at Garden & Gun.

An Exile’s Return: Hugo and the Paris Commune – Tom Darin Liskey at Literary Life.

On Tolkien’s “Fairy Stories” – Nayeli Riano at The Imaginative Conservative.

Faith

The Fear-Driven Life – Jared Wilson at The Gospel Coalition.

Pursuing Community When We Cannot Gather – Michael Kelley at Forward Progress.

Like lovers, parted by war – Rebecca McLaughlin.

When Corona Makes Us More Like the New Testament  – Andrew Wilson at Think Theology.

Life and Culture

Rainy Nights, NYC: Portraits – Jennie Cesario at Dappled Thoughts.

Are We There Yet? – Seth Lewis.

For the Moms and Dads Schooling at Home for the First Time – Jen Oshman.

American Stuff

The 245th Anniversary of "Give Me Liberty or Give Me Death" – Phil Greenwalt at Emerging Revolutionary War Era.

Babe Ruth and the Moment American Baseball Changed Forever – Randy Roberts and Johnny Smith at Literary Hub.

Monumental Madness: On the Neglected Solders’ and Sailors’ Monument in Riverside Park – James Panero at New Criterion.

‘Til Secession Do Us Part: A Citizen of Rome, Georgia Faced A Schism In Business, Life, and Marriage – David Dixon at Emerging Civil War.

British Stuff

The Pearl of York, Treason, and Plot: Political Intrigue in Tudor York – Tony Morgan at English Historical Fiction Authors.

Laila meets her bone marrow match

Painting: Woman Reading, oil on canvas by Susan McDowell Eakins (1879-84).

Not even one

After Romans 3:1-20

I obey the law, well,

mostly, except for

an occasional lapse

with speed limits or

responding to an errant

driver or when I’m

treated unfairly or

I have to wait in line 

or when those politicians

do something really dumb

instead of normal dumb or

when I don’t get my way 

because I should. 

No, I don’t kill, outside

the tongue; I don’t steal,

except when I take credit

I shouldn’t; I don’t covet,

except for the BMW;

I don’t worship other gods,

apart from everyone else,

like when they worship 

money, position, power, 

righteousness, achievement,

whatever. 

No, not even one,

not one,

not one righteous.

To be judged by the law

is to die by the law.

Photograph by Ali Morshedlou via Unsplash. Used with permission.

“Constable on the Hill” by Nicholas Rhea

Nicolas Rhea, the pen name for Peter Walker (1936-2017), was a Yorkshire policeman for his entire career. He was also a writer, and beginning in 1979, he published more than 35 books in his beloved “Constable” series. The books, essentially a series of ongoing memoirs, became the basis for the ITV program “Heartbeat,” and were beloved in Britain. Now they’re being republished, and the first is Constable on the Hill.

It’s a delightful story. Think James Herriot (All Creatures Great and Small) if he had joined the police force instead of going to veterinary school. And it begins at the beginning of Rhea’s career – a move to a small Yorkshire town with his wife and three children, to become the village’s new bobby.

He’s looked upon somewhat suspiciously as a newcomer, until he drops his polished accent and instead speaks with the Yorkshire accent he was born and raised with. From then on, he’s “one of ours.” And he finds himself in all manner of interesting situations, providing a glimpse into what an English village policeman actually encountered on the job (and it wasn’t anything like Midsomer Murders, Inspector Morse, or anything else we’ve seen on television). In fact, in this first book, the closest Rhea gets to a murder is the death of a wallaby hit by a car after it escapes from a local zoo.

Nicholas Rhea

Rhea finds himself dealing with complaints by local gossips, all kinds of dog problems, a fox hunt that legally cuts across his front yard, how to pay for the funeral of a local squatter, the problems faced by a Catholic policeman when asked to read at an Anglican church service, and the sergeant who likes to give him all the plum assignments, including leading the circus parade. He also figures out a way to help a delivery truck unload a multi-ton piece of Scottish stone for a local sculptor.

Sometimes the issues are more serious – local youths breaking into a dovecote and killing the birds and theft of the prizes at a dance. But Rhea always seems to find a way to solve the problems and keep the threads of community woven strongly together. (And some of his solutions are ingenious, including how to deal with the complaining gossip.)

Constable on the Hill is a charming book, filled with local color and memorable characters. It’s no wonder that the series was so popular in Britain.

Rabbits at War: 2 Green Ember Stories by S.D. Smith

For several years, children’s writer S.D. Smith has been creating a series of swashbuckling adventure stories – all starring rabbits. First was The Green Ember, told from the perspective of two children whose lives are upended with an attack by wolves. And it is much greater than an isolated attack; the wolves are making war upon the rabbit world.

The Black Star of Kingston is a prequel to The Green Ember. Ember Falls is the second installment in the main series, and the third – Ember’s End – is due to be published next week (its publication date moved up a bit because of the general upheaval from the coronavirus epidemic). 

Smith has also published two related stories, more of novella length.

The Wreck & Rise of Whitson Mariner takes place during the great wars. King Whitson Mariner is sailing to safety, carrying a precious cargo – the royal jewels, elderly women, other women and children, and his own family, Queen Lillie and Prince Lander. Sailing on another ship with him is Lord Grimble, who might be better named Lord Grumble, a sour and resentful aristocrat who seems to believe hem and not Whitson, should be king.

And sure enough, Grimble turns out to be a traitor, in league with the feared dragons. Whitson’s ship is tricked onto treacherous rocks and is shipwrecked. Queen Lillie is kidnapped by dragons. The cargo is lost, and those aboard who are not rescued die in the water. Lieutenant Massie Brunson is ordered by the king to stay with Prince Lander at all costs. The prince, for his part, is soon seen running into the woods on shore. Massie knows he’s needed with the rescue, but he obeys the king and follows. And a great adventure ensues.

In The Last Archer, Jo Shanks is Living at Halfwind Citadel. It’s wartime, and Jo is desperate to prove he’s as good an archer as the famed Nate Flynn. But he doesn’t seem to make a very good soldier – he oversleeps, he has an unpolished sword, and his commanding officer has little use for him. But there’s an archery contest, and Jo proves his skill by not only placing but coming very close to beating Nate.

Nate needs a temporary replacement on his team of archers, and he asks Jo to fill in. Jo discovers that Nate is nothing like Jo imagined him to be. He still has trouble with the commanding officers, but he finds he’s fitting in with Nate’s crew. And then the wolves attack and enter the citadel itself.

Both stories have underlying lessons aimed at children (but equally valid for adults). They’re about obedience, mistaken impressions, trust, and having courage in the face of overwhelming odds. Using rabbits instead of children likely takes some of the immediate terror out of the situations, but children will identify with Massie, Prince Lander, Jo, and Nate. These are rollicking good stories, with good messages. 

Related:

My review of The Green Ember.

My review of The Black Star of Kingston. 

My review of Ember Falls.

Top illustration by Zach Franzen: Whitson Mariner takes up the Stone Sword of Flint. 

Poets and Poems: Tom Sastry and “A Man’s House Catches Fire”

In 2016, the then-Poet Laureate of Britain Carol Ann Duffy chose Tom Sastry as one of the Laureate’s Choice Poets. He published a well-received pamphlet (what Americans call a chapbook) entitled Complicity, which became a Poetry School Book of the Year and a choice of the Poetry Book Society. 

His first full poetry collection, A Man’s House Catches Fire, was published in Britain in late 2019. In one of those strange things that can happen, the collection fits the current moment of coronavirus, self-quarantines, and societal and economic upheaval. I had ordered it several weeks ago, long before the virus came ashore in the United States. I grew wider-eyed as I read it, and simply because it fits.

To continue reading, please see my post today at Tweetspeak Poetry.

“Gas! The Battle for Ypres 1915” by McWilliams and Steel

In 1914, Ypres was a small city in western Belgium, not far from the French border and the North Sea. It had a long history of at least two thousand years; the Romans raided it in the first century B.C. Surrounded by several small villages. The city was known for its production of cloth and especially linen; one of the most imposing structures in Ypres was the Cloth Hall. 

The came World War I. Ypres found itself the focal point of two battles, the first in the fall of 1914 and the second in April of 1915. Technically, the second battle extended into May with additional engagements, but the intense period was April 25-27. 

This second battle became famous for many things, including the first time a colonial army (the Canadian) ever stopped a European army (the German) on European soil. But it is best known for how it started – with the use of chlorine gas by the German army, attempting to break through the Allied lines of defense. Against almost overwhelming odds and chemical warfare (the Germans ignored the Geneva ban), the Canadian, French, and British troops first gave and then regained their ground. Like so many other battles on the Western Front during the war, it subsided into stalemate.

First published in 1985, Gas! The Battle for Ypres 1915 by J.L. McWilliams and R. James Steel tells the story of the Second Battle of Ypres. And it tells the story almost hour by hour, from the first plans by the Germans to the eventual end. 

It’s a thrilling, fascinating account.

• The Germans would come close but never quite manage to capture the city of Ypres itself. They did do their best, however, to shell it into destruction. 
• Both the British and the French had first-hand reports, from German deserters and spies, that the Germans were preparing to use gas. Disbelief and incompetence prevented the knowledge from being acted upon. 
• German commanders had no reluctance to use the gas to force a breakthrough. They also had no reluctance to send their own troops too soon into the dissipating clouds. So eager and desperate they were to break their stalled plans to drive to the sea.
• The top commands of the Allied armies were already demonstrating the prodigious incompetence they became known for. Located far to the rear of the fighting and in relative luxury, the generals and their staffs rarely grasped the reality of what was happening during the actual battle. 

Allied soldiers blinded by the chlorine gas

The use of gas would backfire on the Germans, and in two ways. First, the Germans had to wait for a countervailing wind; normally, the winds in the area blew west to east. Second, using the gas freed the Allies from any ethical constraints on their own use of poison gas, and they had the advantage of the prevailing wind direction. Over the course of the war, more German troops would be afflicted with poison gas than what was attempted on the Allies. The Germans had tipped their hand too early and in too an unfavorable position.

McWilliams and Steel are also the authors of The Suicide Battalion: One Remarkable Battalion’s Journey Through the First World War and Amiens 1918: The Last Great Battle.

Gas! The Battle for Ypres 1915 reads like a well-filmed documentary, placing the read right in the middle of all the key events. It’s also a story of the common soldier, who, despite the villainous use of gas by the Germans and the incompetence of their own top generals, stopped what could have easily been a German victory.

Top photograph: an aerial view of the gas attack at the Second Battle of Ypres.

Letters

After Romans 2:12-29

The letter of the law

matters most when

it becomes the practice

of the law, the serving

implied by the law,

the obedience made

obvious by the law,

the carving of the law

upon the heart so that

it lives within

and lives without.

Photograph by Mikhail Pavstyuk via Unsplash. Used with permission.

Saturday Good Reads

I take a walk, or I look outside my window, and everything looks exactly like it looked a week, a month, six months ago. But I look more closely, and I notice how much time passes before a car goes by on the street, or I see the deserted center of my little St. Louis suburb when it should be thronged with cars, shoppers, and people dining out, and how many people are walking – singles, couples, and families – and smile and nod as they swerve broadly around you, unless I swerve first.

It’s a strange time, perhaps the strangest I’ve ever experienced, and we’ve only just begun. Tim Challies suggests we consider newspaper headlines in their context, and reminds us that preparation is not panic and confusion is not chaos, no matter how much we want to politicize the moment. E.J. Hutchinson at Mere Orthodoxy has a different take on what we can learn from COVID-19; he looks back to C.S. Lewis in World War II. And American expat Seth Lewis writes about how different St. Patrick’s Day looked in Ireland this year – and St. Patrick knew a thing or two about calamity himself.

More Good Reads

Poetry

One chilly March morning – Sonja Benskin Mesher.

Beyond the Lines: Frost's "Fire and Ice" – Adam Sedia at The Chained Muse.

Three Poems – Paul Brooks at Fevers of the Mind Poetry Digest.

‘Brave Soldiers We’ and 'A Very Old Tale' – Beverly Stock at Society of Classical Poets.

Safe – Paul Tripp.

Faith

The Catholic Artist in a Neo-Pagan Age – James Matthew Wilson at Church Life Norte Dame.

A Liturgy for Those Flooded by Too Much Information – Doug McKelvey at The Rabbit Room.

Art

The Spiritual Mechanics of Labor and Rest – Jack Baumgartner at The School for the Transfer of Energy.

Edward Hopper: The Loneliness Thing – Laurence Fuller. 

American Stuff

About Those Self-Evident Truths…What are we without them? – Myron Magnet at City-Journal.

Remember You Will Be Buried: Tracing the American cemetery from the colonial age to the Gilded Age – Allison Meier at Lapham’s Quarterly.

Common Soldiers Writing Song: “Oh, How Do You Like the Army?” – Sarah Kay Bierle at Emerging Civil War.

The Journal of Nicholas Cresswell, Part 1 and Part 2 – Eric Sterner at Emerging Revolutionary War Era.

British Stuff

Plague and Pestilence – Barb Drummond at Curious Historian.

Writing and Literature

The Haunting of America: Russell Kirk’s Ghostly Fiction – Ben Reinhard at The Imaginative Conservative. 

How J.R.R. Tolkien Blocked W.H. Auden From Writing a Book About Him – Emily Temple at Literary Hub.

T.S. Eliot’s Animus – Adam Kirsch at New Criterion.

Why Robert Stone Went to Saigon—And Came Back With Dog Soldiers - Madison Smartt Bell at CrimeReads. 

A Catholic Reading of the Spirituality in Toni Morrison’s Song of Solomon – M. Shawn Copeland at Church Life Notre Dame.

John Piper Reads Romans 8

Painting: Old Man Reading the Paper, oil on canvas by Louis Charles Moeller (1855-1930).

The prosecutor speaks

After Romans 2:12-29

The prosecutor stands, casting

his voice at the accused,

those who know but don’t act,

those who believe but don’t do,

those who speak the right words,

make the right claims,

teach the right precepts,

espouse the right behavior,

boast in their belief but

do none of it,

break all of it.

The prosecutor casts his voice

and pronounces the crime

of uncircumcision,

the judgment of condemnation.

Photograph by Ben Rosett via Unsplash. Used with permission.

“True Blue Detective” and “Criminal Instinct” by Vito Zuppardo

Zach Nelson is a retired New Orleans police officer. He’s been living with his son and daughter-in-law; his wife was murdered many years before during a robbery. Family circumstances require a temporary move to a retirement home. Zach, irrepressible on a bad day and exuberant on a good one, soon makes friends – and an enemy in the retirement home’s administrator. 

The home is a place where strange things happen, strange as in untimely deaths. While Zach and his friends are trying to figure out what’s going on, the reader knows – the doctor who owns the home has a gambling habit, and he needs money for both gambling and paying off debts owed to unsavory people. So he arranges an accident for a retirement home resident and magically produces an organ donation agreement. The organs are sold to a shadowy figure who flies in and out of the New Orleans Lakefront Airport.

True Blue Detective is the first of several in the series of the same name by Vito Zuppardo. There are currently six in the series, most of them featuring New Orleans Police Detective Mario DeLuca (True Blue Detective does not). This one is alternately horrifying and funny; the craziness of the life depicted in this retirement home almost boggles the reader’s mind. The book includes a host of memorable characters who seem to walk right out of the New Orleans culture. There’s also a great chase scene up St. Charles Avenue that ends on the River Road.

Criminal Instinct is a prequel to the series (likely written after the series was underway). It’s a novella featuring Detective DeLuca, who is sitting with his girlfriend at a restaurant while watching a diner staring at a couple dining nearby. DeLuca recognizes what is about to happen – the diner is going to shoot one or both of the people he’s watching. 

The detective intervenes, stops the shooting before it starts, and finds out what’s going on. The woman is the diner’s sister, and the man is a drug pusher, woman abuser, and general low life. DeLuca makes a promise to bring the low life down. And DeLuca always keeps his promises.

Vito Zuppardo

Zuppardo retired from the casino business in 2003 and began writing full-time. His the author of nine police novels in the True Blue Detective and Lucy Voodoo series.

If you like police stories packed with action, True Blue Detective and Criminal Instinct are for you. Along with underlying (and sometimes overt) humor and bodies – lots of bodies. 

Top photograph: a view of the New Orleans business direct from Bourbon Street in the French Quarter, by Ben Dutton via Unsplash. Used with permission.