He moves
quickly, conscious
only of the
pedals’ noise,
the clicking of
the gears,
all other noise
folded
into a silence,
and he sees the
blurs of trees
smudged like
Cezanne, and
a bridge like
Monet’s, and
color like
Renoir’s, and
this race has
become
a painting,
color
overwhelming
lines, color
controlling
motion and speed and
he becomes one
with the color,
he swirls
into a blending
of muscle and
machine
and speed,
the air alive
around him,
the air on fire,
a fire of
brilliant blue
and green and
enough
of yellow for
contrast
and definition
and focus, and
as he crosses
the line
the watches
click his time.
He lays down the
brush.
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