On a beautiful Sunday afternoon during our most recent trip to London, we traveled the tube from our hotel in Westminster to the Liverpool Street Station in London’s East End. We walked up Bishopsgate from the station to Brushfield Street, and then to the Spitalfields Market, filled with booths of art, clothes, food, and more. After lunch, we walked down Commercial Street to Christ Church and then over to Brick Lane, following the street south to Whitechapel and the Whitechapel Gallery. It was a beautiful day to see a part of London we had never previously visited.
The inspiration
for this visit was a blog, one I’d been visiting for some time called Spitalfields Life. Who actually writes
the blog posts is something of an online mystery – the writer is known as “The Gentle Author” and lives somewhere on Brick Lane, writing wonderful blog posts about London’s East End – its people, its history, its
streets, and its contribution to life in London. And the writer publishes books.
The latest
is East
End Vernacular: Artists Who Painted London’s East End Streets in the 20th
Century, and what a beautiful book it is.
“Vernacular”
refers to the commercial, work-a-day, working class associations of the East
End. This is a region of London that included factories, warehouses, working class
residences, and the slums of Whitechapel. The people who lived here worked in
the factories and on the docks, markets and small commercial establishments.
And while artists before the 20th century had drawn and painted
scenes there (including James McNeill Whistler), it was the indigenous artists
of the 20th century who found the region’s spirit and soul.
The names
won’t necessarily be familiar to American or even British ears. Nathaniel
Kornbluth. Pearl Binder. Brothers Harold and Walter Steggles. Grace Oscroft.
Cyril Mann. Roland Collins. Dorothy Bishop. Geoffrey Fletcher. Peri Parkes.
Leon Kosoff. And quite a few more. Most if not all of them were born and grew
up in the East End. Some worked in their fathers’ shops. Many held full-time
jobs, squeezing in what they could paint from a bedroom window.
The
artists were often self-taught or came under the guidance of local arts
organizations. Often the “big boys” in London art would take notice, and many
of the works would find their way to the Tate, the Royal Academy, and various
exhibitions. The Whitechapel Gallery often played a critical role in bringing
these artists to wider public attention.
Like any
good curator, The Gentle Author has been selective, choosing some outstanding
works. What the included paintings share is simplicity in form and color (some
are reminiscent of the works of Edward Hopper) and common themes of streets,
buildings, and scenes that are often still familiar (I recognized a few from my
brief afternoon journey) even though the artists often knew that the area was
changing and wanted to capture it before it disappeared.
The Gentle
Author has published of
numerous books by others about London’s East End, including A Hoxton Childhood, Brick Lane, Travellers’
Children in London Fields, East End,
and The Boss of Bethnal Green, among
others. Others include Spitalfields
Life, The Gentle Author’s London
Album, and Cries of London (links
to all of the books can be found on the Spitalfields Life web site).
You can
scroll through posts at Spitalfields Life and see examples of many of these
artists. But to see them together as a published collection like East End Vernacular is something rather
marvelous.
Top painting: Old Houses in Bow by
Grace Oscroft (1934).
3 comments:
Hi Glyn. This is an excellent piece about a superb book which I was privileged to collaborate upon with the Gentle Author. You have included two images with your piece but sadly "Old Ford Road" by Harold Steggles (the top image in your piece) does not feature in the book as the owner of the picture did not allow us to publish it within the context of the book, which was a shame. There are other excellent examples of Harold's work in "East End Vernacular" which you might like to feature instead. Sadly, I also need to point out that your captions for the images that you've used have been reversed: "Old Houses, Bow" by Grace Oscroft refers to the image at the bottom of your article.
Alan - thanks for the corrections. The caption was corrected and the illustration of Old Ford Road was removed.
Hi Glyn, Thanks for that. I'd be very happy to send you some East London Group images that are in the book, should you so wish: just let me know.
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