Showing posts with label landscape. Show all posts
Showing posts with label landscape. Show all posts

Tuesday, May 1, 2018

Poets and Poems: Athena Kildegaard and “Course”


Some 40 miles southwest of St. Louis is the Missouri Botanical Gardens’ Shaw Nature Reserve, more than 2,400 acres of forest, prairie, woodlands, and trails. It was first utilized in the 1930s, when air pollution became so bad in the city of St. Louis that the Botanical Gardens moved endangered plants out to “the arboretum,” which is what St. Louisans still call the reserve. 

On most days, it’s difficult to find a crowd at the reserve. One can walk the trails and perhaps pass one or two or perhaps as many as three people. Many times, I’ve walked the five-mile-round-trip river trail and not seen a single person or head a single man-made noise other than the sound of my feet on the gravel path. The trail ends at the Meramec River, and one can walk out on the gravel sand bars and simply watch the river flow. 

The reserve is a kind of natural sanctuary. It is that idea of natural sanctuary that permeates the 64 poems of Courseby Athena Kildegaard.

To continue reading, please see my post today at Tweetspeak Poetry.

Top photograph: the gravel bar on the Meramec River at the Shaw Nature Reserve.

Monday, January 1, 2018

“Beast” by Paul Kingsnorth


Edward Buckmaster has been living alone on the northwestern moors of England for “five seasons.” He keeps largely to himself, even from the reader; we don’t know much about until; later. ‘From the east I came to this high place,” he says, “to be broken, to be torn apart, beaten, cut into pieces. I came here to measure myself against the great emptiness.” What we don’t know is whether that great emptiness is what he came to or what he came from.

For five seasons, he lives his chosen life. And then comes a storm. When he awakens, he finds himself in the yard outside a farmhouse; he’s seriously injured with what looks like a broken knee, severe pain in his chest, and five claw marks across his stomach. He’s also disoriented; everything seems strange, including the sky, which has become entirely white. He hears no birds, and no other sounds.

Beast by British novelist and writer Paul Kingsnorth is one of most unusual novels I’ve read. It’s the second in what Kingsnorth calls the “Buckmaster Trilogy” (the first being The Wake) but it’s a standalone novel. The time for the narrative is likely contemporary, but the only clues are a reference to a sleeping bag and a bottle of pain relievers. Beast has many of the trappings of a dystopian novel, but it’s not one in the commonly understood sense. The dystopia seems to lie more inside Edward Buckmaster, a man who thought he knew what he was doing but finds himself unmoored and untethered.

After a period of recovering from his injuries, Buckmaster goes walking to find other people and to find food. But he only finds two things: an empty church dating back to Anglo-Saxon times and a glimpse of a large, dark animal moving quickly across the unpaved road. The church offers no answers, so he goes looking for the beast, as it calls it, mapping out a grid on a map that will allow him to search one square mile every day.

Paul Kingsnorth
Buckmaster will indeed find the beast, but not when or where he’s looking for it.

Kingsnorth is the author of the two novels, The Wake (2015) and Beast (2017), and a collection of poems, Kidland: And Other Poems (2011). He’s also the author of three non-fiction works: One No, Many Yeses: A Journey to the Heart of the Global Resistance Movement (2003); Real England: The Battle Against the Bland (2009); and Confessions of a Recovering Environmentalist and Other Essays (2017).

Beast is a one-character story often told in broken and run-on sentences and without the use of quotation marks (since Buckmaster rarely actually speaks, the quotation marks aren’t needed). It’s about a man’s relationship to the land and with himself. It’s about both exterior and interior landscapes. It’s about finding peace.

It’s a strangely beautiful story.

Top photograph, an aerial view of the moors near Oxenhope, England, by Richard Horne via Unsplash. Used with permission.

Tuesday, October 17, 2017

Poets and Poems: Michelle Menting and “Leaves Surface Like Skin”


Lichen sticking to the grooves of tree bark. Pine needles surrounding a house embedded in the woods. A pale, yellow flower grazing the finger of a young man leaving for war. Imagining life as a tardigrade, or “little water bear.” Bramble-scrawled oak trees. Burial mounds so natural they seem part of the landscape.

Nature and geography offer a wealth of images and metaphors for poetry, and poet Michelle Menting drinks deeply from that source in her new collection, Leaves Surface Like Skin. The 46 poems of the collection are filled with nature’s images, but filled in a distinct way. Menting uses nature, geography, landscape, and the seasons to probe and push against the human condition. This is not so much nature poetry as it is nature poetry in the service of understanding one’s self and the people surrounding you.


To continue reading, please see my post today at Tweetspeak Poetry.

Tuesday, August 2, 2016

Norman Nicholson: Poetry of Landscape and the Environment


A few weeks back, as I was reading A Poet’s Guide to Britain, I discovered a poem by Norman Nicholson (1914-1987) called “Scafell Pike”. It is a landscape poem, but an unusual one, as it explores an industrial landscape imposed upon a natural landscape, but the industrial landscape is becoming a ruin and being reclaimed by nature.

In a sense, the poem is also a story poem, the story of the great industrialization of Britain in the 19th century and the deindustrialization of Britain in the 20th. Nicholson’s landscape was very specific – the region of Cumbria on the western side of England’s Lake District and butting up against the Irish Sea.

I looked for more poems by Nicholson, and found them. I looked for biographical information online, and found it. Then I went looking to see if I could find any of his poetry collections online, and I could. But few had been republished; generally, what’s available are used editions at various book shops in the UK. (some priced reasonably and some not).

One resource I did find was a biography written in 2013, Norman Nicholson: The Whispering Poet by Kathleen Jones. It was written at the request of the Norman Nicholson Society, and it’s available in Kindle format. It’s highly readable and covers Nicholson’s life and his works in detail.

To continue reading (and to read one of his beautiful poems), please see my post today at TweetspeakPoetry.