Alan Kessler’s “Clarence Olgibee”

The story begins with three white West Texas teenaged boys finding a drunk black man walking alongside a road. They chase him into a field, and two of them beat him to death with a baseball bat; the third boy, sickened by the act, throws up. But the law deems them all responsible, and after trial they go to prison.

The third boy comes under the influence of a white supremacist, a fellow inmate who hates blacks and Jews. He becomes a kind a kind of priest in the supremacist’s church, until a prison librarian begins to slip him books, books which begin to raise doubts about these doctrines he’s embraced. He eventually rejects them, only to be stabbed to death by another inmate.

All of that happens with the very early part of Alan Kessler’s novel Clarence Olgibee, when the scene shifts to central Ohio some 20 years earlier, to the family of the title character. Clarence is a black high school student, aiming to be accepted by Oberlin University and eventually become a doctor. His parents are a rather strict and controlling mother and a father who can recite large sections of what it is he’s been reading, mostly in the sciences. And that is almost all he does.

Confusion as to how this family in central Ohio connects to a killing and imprisonment in West Texas slowly and gradually unfolds. It involves a politically progressive white family moving into a predominantly black neighborhood; a teenaged girl whose doctor father is injured in an accident, forcing the family to downsize its economic status; a cousin who visits from the South; a shadowy organization that takes shape behind the façade of a country club and the town’s well-to-do citizens; and a stint in the navy and results in a fateful act of heroism.

Alan Kessler

Kessler is the author of two previous novels, A Satan Carol (2102) and Shadowlands (2013). None of his works, including Clarence Olgibee, can be called conventional. But they can be called thought-provoking, arresting, surprising, and fascinating.

As Clarence Olgibee unfolds, the reader experiences a story of connection and inter-connections. What a teenager does in central Ohio leads to a death in a West Texas field many years later. A joke involving a barrel rolled down a hill results in tragedy. A cousin spends a few months living with a family and influences his nephew forever after, including after the the cousin’s death. A promise made on a deathbed leads to unimagined consequences. The past is always present, and is the present. And the future.

Related:

My review of A Satan Carol.

My review of Shadowlands.

Top photograph by Alex Borland via Public Domain Pictures. Used with permission.

Alan Kessler’s “Shadowlands”

To read Alan Kessler’s Shadowlands is to inhabit the mind of, first, a child suffering both physical and emotional abuse, and, then, a young man and adult who seems apparently normal but is falling what most of us would call madness.

It’s an extraordinary, disturbing, riveting book.

It begins with the adult Steve Goldblatt lured into a boat by a childhood best friend. Goldblatt can’t swim. And the story is shaped around everything that led to Goldblatt drowning.

The Goldblatt family lives in small town, Ohio. Steve’s father owns a factory or, rather, the factory owns him. He never speaks to his son or his two daughters. He disciplines his son with physical abuse – kicking the boy with his leather shoes. The abuse is so much a part of Steve’s life that he equates pain and abuse with love.

A large part of Shadowlands is about Steve’s childhood, and slowly we begin to see the world through Steve’s very distorted eyes, and how his dysfunctional family affects everything – friends, school and teachers, girls, and all of his relationships.

Gradually, as he grows older, Steve begins to emulate his father, wanting the things his father has. Interestingly, his college years receive what he has learned, as he continues his maintenance of a C average though more gifted than that; the C average allows him freedom – the freedom to operate away from attention and interest, the freedom to pursue the things he’s most interested in, things like money and power. He simultaneously begins law school and working for a shady attorney, an associate of his father’s, and soon manipulates the attorney to achieve his own ends.

He’s not a sympathetic character, this Steve Goldblatt. He’s broken in ways that can’t be made whole, and so he constructs his own broken existence, hurting anyone who tries to get close.

There’s likely a bit of that brokenness in all of us, and that’s what makes the story compelling (and difficult to put down). Kessler has drawn his hero, or anti-hero, large, large enough to be uncomfortably recognizable.

Related:

My review of Alan Kessler’s The Satan Carol.

Photograph by George Hodan via Public Domain Pictures. Used with permission.

Alan Kessler’s “A Satan Carol”

This is likely the most bizarre novel I’ve every read. I think I mean that in a good way.

Mr. Green, the main character in The Satan Carol by Alan Kessler, is quite a busy guy. He’s arranging for a new world, with himself at the steering wheel. It’s taking a lot of time, and a lot of orchestration, but he’s patient – he’s willing to wait for generations – and he’s lining up a cast of helpers, many of whom don’t realize what it is he’s actually up to. Mr. Green is also understanding, kind, and willing to help people in difficult situations.

Mr. Green has another, more familiar name: Satan.

To make his new world, Mr. Green needs a soul for his son, and not just any soul, but one called the Golden Soul, which last inhabited a young Irish boy who died in the potato famine in the 1840s. But the Golden Soul is less interested in Mr. Green’s son and more interested in the unborn child being carried by a 14-year-old girl. Mr. Green has a solution for that; it’s called abortion.

A Satan Carol tells the story of Mr. Green and the characters he brings together to achieve his plan for a new world. It is a story that is part fantasy, part contemporary novel, part science fiction, and part allegory. It is in turn violent, profane, funny, hideous and shocking, all of the things you would expect Satan to be (and the language and some of the scenes can be graphic at times).

But Kessler keeps it from sinking into parody or satire by grounding the story in what is an orthodox understanding of who Satan is and what he represents, including the limits he operates within – and what stands to frustrate his plans. What is particularly appealing is that there is no “superhero” who will do battle with Mr. Green, but instead a severely dysfunctional, messed up and broken family.

The Satan Carol is an amazing story – and a wildly imaginative read.