Showing posts with label M.J. Duggan. Show all posts
Showing posts with label M.J. Duggan. Show all posts

Saturday, January 4, 2014

Saturday Good Reads: Poetry Five


I’ve read several good works of poetry recently. Three were in e-book form and two in paperback.

Making Adjustments for Life Expectancy: Collected Poems

M.J. Duggan is a British poet who lives in Bristol, and he’s published several works, including  a series of 11 poems entitled Avalon, which focus on industrialization (I reviewed it in 2012). Making Adjustments for Life Expectancy is a volume of Duggan’s collected poems (paperback), and it’s constructed in a very specific way: four chapters of poems reflecting two related themes in each chapter. The themes are love and mortality, youth and politics, nature and modernization, and culture, war, and travel (which might count as three themes).  A personal favorite is “Remembering the British Boozer,” a poem about the British pub and the conversation that happens there.

Poems to Love and the Body, and Seasons of Love

This week, I reviewed Dave Malone’s latest poetry collection, View from the North Ten, over at Tweetspeak Poetry. He’s published two previous collections, and I read both as preparation for reading his latest work.

Poems to Love, and the Body (e-book) is about love and relationships, but the poems also search the depths of relationships, and how much love can often border on obsession.

Seasons of Love (e-book) is also a collection about love and relationships, but the volume is structured by the four seasons, and it’s fascinating how Malone uses the physical seasons to explain the relationships and interactions of lovers.

Of Cars, Dragons and Whimsy: Poems

This is a poetry collection that had another name when I first received it – Techtorals and Other Poems That Rhyme. The author, a lawyer named J. Aloysius, changed the title to Of Cars, Dragons and Whimsy (e-book), and I like the new title better (a “techtoral,” a term invented by the author, is a poem about technology).

Aloysious has included 14 poems in the volume, and then annotated each of them to explain where they came from, what inspired them, and in one case, his puzzlement about the poem’s origin (I have moments like that, too). He says in his introduction that the poems are meant to be read and reread alone and in groups, and I think they work best when read aloud.

Agalliao, Volume 2

Aaron Cornett manages a Facebook page called Agalliao, designed for poets to post and discuss what you might call the “poetry of faith.” For the second time, Aaron has selected poems and published them as Agalliao. The second volume has now been published and is available at Amazon. Aaron was kind enough to include three of my poems in the volume. A total of 65 poems by various poets are included in the volume.


Photograph by Randy Klugiewicz via Public Domain Pictures. Used with permission.

Friday, March 23, 2012

M.J. Duggan's "Avalon"

Avalon.

It is the island most associated with the legend of King Arthur, largely due to Geoffrey of Monmouth’s account in The History of the Kings of Britain. Geoffrey wrote that the sword Excalibur was forged here, and it was to Avalon that Arthur was taken to recover from wounds he received in the Battle of Camlann – his last battle and the one against his nephew Mordred. It is also the island associated with Morgan le Fay and others of similar mystical bent.

A few years after Geoffrey, Avalon became associated with the town of Glastonbury in Somerset (which is not an island but was surrounded by marshlands at one time). In 1190, the monks at Glastonbury Abbey claimed to have found the bones of Arthur and his queen, and so the legend stuck and grew. The town today is small (fewer than 9,000 people) but partially because of the Arthurian connection it is known for New Age and neo-pagan practices.

Avalon is also the name for a series of 11 poems, recently published by M.J. Duggan as the second of three poetic works. The first was The Modern Orpheus, published in 2111 (and which I reviewed at TweetSpeak Poetry); and the third is Scenes From the Big Society, published on March 11.

Avalon begins as almost a dirge to the excesses of industrialization overwhelming the earth, and the earth turning its fury back upon man via the seas. As the storm of destruction pours forth, Duggan uses a line as a kind of calm, yet haunting refrain as he describes the terrible effects unleashed: I remember the day when the sea changed. The seas seem to burn and flood simultaneously:

View of unfathomed kerosene seas
under snake-charmed clouds of indolent red,
where sea angles feed off old rustic mines
layered beneath the Lune of Atlantis.

Swimming on the tips of Mosques and Churches
gaze at a world beneath our feet

our dead Metropolis like a lunar landscape
a lung-less city of sea green.

Nature, in an act of massive vengeance has “scorned her citizens” and brought death. Yet what is seen in the moonlight is the emergence in the covering water of an olive branch – the symbol of peace, and then the place from which the olive branch and tree derive – the island of Avalon. And what Avalon offers and symbolizes is hope and survival.

Avalon is largely a dark story, but it is a dark story Duggan has to tell. And he tells it well, with vivid language, memorable lines, a passion for the earth – and a hope that humanity won’t repeat its history.