How
much does the past shape the present and the future? Could there be no
difference between past and present, that time cycles instead of going forward?
Those
are the questions underpinning the novel Forbidden
Room by Joanne Lewis. Past and present are not so much a continuum as
they become almost the same thing at the same time.

Nowhere
to be found is David Goldstein, Sara’s ex-Marine younger brother whom she’s
called Soldier Boy since they were children. They are as close as a brother and
sister can be, having creating a mutual protection against growing up with an
alcoholic mother who fought constantly with their father. When Sara was 14 and
David 10, they found their parents murdered at home. Sara believe her uncle was
the killer; the police never could determine what actually happened.
The
novel moves forward on three simultaneous planes, representing different times
but eventually converging – the verdict ready to be announced by the jury; the
development of Michael’s and Sarah’s relationship as they prepare for the
trial, and the childhood of Sara and David. Much seems to center on what is
known as the “forbidden room” in the Goldstein home, where Sara’s father kept
his collection of antique trains and carousel horses, including a small working
carousel.
The
story is told from the alternating perspectives of Sara and Michael, and it to
the author’s strength as a writer that she tightly controls the narratives, gradually
developing the story so that all threads eventually come together.
Forbidden Room is a
suspenseful, engaging read, holding the reader’s attention until the final
page.
Photograph by Petr Kratochvil via Public
Domain Pictures. Used with permission.
No comments:
Post a Comment