A day like any other

A day like any other

like every other

begins

in joy, ends

in nakedness

we hid

we blamed

who told us were

were naked

to become gods we

learned nakedness

banished to the east

to the east where

the light is harsher

Painting: Adam and Eve by Jan Gossaert (about 1520), National Gallery of Art, London.

The Sheer Humanity of Abraham

The story of Abraham in the Old Testament is one of the most human stories in the bible.

Abraham and his wife hear God speaking, and off they go, thinking about what it means to become a great nation. Except they’re old, and not exactly the stuff you might expect a great nation to be built from.

But go they did. And they were blessed materially, even as they wandered. They had obeyed.

And then came the promise – a promise that they would have a child. In their 90s, no less. And they did a very human thing. They doubted. Sarah figured that the child must have to come from a maidservant, since she was too old for childbearing. Abraham doubted because he went along with Sarah’s plan.

And like most human plans that try to second-guess God, they screwed up. They screwed up so badly that the impact is still being felt today in the Mideast.

Then they do another very human thing – they try to make the problem they created go away, and literally. Hagar and Ishmael are sent into the desert to die. Except they don’t.

Sarah eventually gives birth to a son, Isaac. God was faithful. That is, until the day He told Abraham to go into the mountains and sacrifice Isaac.

We have the benefit of hindsight with this story. We know that God stops Abraham from killing Isaac, and we know we have a picture of a substituted sacrifice. We know what was going on. Abraham didn’t know – he was living the story forward. But he did know that God was faithful, always faithful.

The Book of Genesis shows Abraham at his most faithful and noble, and Abraham at his most unfaithful and least noble. It describes a very recognizable human being, capable of goodness and stupidity, and faithfulness and doubt. And above all it shows God’s grace continuing to pour through, especially when Abraham didn’t deserve it.

When God asked Abraham to trust, ultimately he did just that. Yes he stumbled and screwed up. But he trusted in God’s promise.

And that’s the point of the story, says Andy Stanley in The Grace of God. “The Lord established an important precedent (with Abraham): a righteous standing with God comes through faith. This is the single most important aspect of God’s grace.”

It wasn’t anything Abraham did, or anything Abraham avoided doing. It wasn’t by following a set of rules. It was by faith. Only faith.

And God’s grace poured down.

Led by Jason Stasyszen and Sarah Salter, we’re reading and discussing The Grace of God. To see more posts on this chapter, “Chosen by Grace,” please visit Sarah at Living Between the Lines.

Photograph by Robert Nacke via Public Domain Pictures. Used with permission.

Sam Batterman's "Wayback"

I finished reading Sam Batterman's Wayback, and I've posted the review at Amazon (may take a while before it's visible, though; Amazon publishes reviews anywhere from immediately to 48 hours later). It's a great story about a "what if" -- what if the Biblical account of creation and the flood found in the book of Genesis were true -- and scientists had the means to verify it?

Batterman mixes science, action, history, a little romance -- and serves up one powerful story.

What impressed me the most, though, was his ability to describe settings -- the landscape. I was in that control center where the scientists have congregated. I was seeing the antedeluvian world for the first time, feeling and inhaling the water-saturated atmosphere and shocked, like the characters, at seeing herds of dinosaurs. I was walking the streets of Jersualem right before the Six-Day Way begins in 1967. I was running with the crew down the streets and into the sewer of the ancient city that doesn't know it's doomed. The detail is amazing, representing some exhaustive research. In the case of the antedeluvian world, the descriptions and detail are speculative but no less real.

Batterman, in his first novel, is clearly a master of setting of the scene.