Showing posts with label Robert Crawford. Show all posts
Showing posts with label Robert Crawford. Show all posts

Tuesday, August 16, 2022

“Eliot After ‘The Waste Land’” by Robert Crawford


After T.S. Eliot (1888-1965) published The Waste Land in 1922, it seemed that there might be a creative dry spell. As far as poetry was concerned, there was. He was struggling with his marriage and the declining mental health of his wife, Vivien; he was editing his literary magazine Criterion; and he was maintaining a full-time job in banking. The next year, he transitioned from banker to editor at Faber & Gwyer (eventually to become Faber & Faber), where he stayed for the next four decades. 

It is the second half of Eliot’s life, from 1923 to his death in 1965, that is the focus of Eliot After ‘The Waste Land’ by British poet and writer Robert Crawford. Crawford completed the first volume, The Young T.S. Eliot, in 2015. He’s completed the monumental biography seven years later, and, as he notes in the introduction, this biography has the benefit of the writer’s access to the extensive correspondence of Eliot and Emily Hale, his romantic interest for a considerable period of time. The letters were finally made available in 2020. 

 

To continue reading, please see my post today at Tweetspeak Poetry

Monday, November 23, 2015

‘On Glasgow and Edinburgh’ by Robert Crawford


Scotland beckons.

We’ve taken vacations to the United Kingdom for the last four years, and focused on London and southern England. But given the fact that my first novel has scenes set in Edinburgh, which I’ve never visited except via the internet, Scotland has started exerting a stronger pull. After reading Robert Crawford’s On Glasgow and Edinburgh, the pull has become irresistible.

This is not traditional travel writing. This is more like a well-researched, filled-with-fascinating-facts love letter to two cities, which, Crawford points out in a long introduction, maintain a usually friendly rivalry for pre-eminence in Scotland.

What Crawford does for both cities is to take the areas where most visitors would see – the historical areas, the museums, the shopping districts, the historical neighborhoods – and then provide a detailed look at where they came from, who lived there, what life was like, and interesting facts (like murders and trials). The result is a rich tapestry of understanding, a look into life and people across different historical eras, and how these two cities developed as they did.

This is the kind of book you read before you visit. Perhaps you even bring it with you to consult during your visit.

Edinburgh Castle
You walk with Crawford on streets and neighborhoods, like the Royal Mile in Edinburgh and Buchanan Street in Glasgow, and you find history, commerce, art, literature, architecture, science, medicine, and people. You discover who built the universities, where the great art collections and libraries came from, and how Edinburgh became a royal capital and Glasgow a manufacturing one (and why both revere the poet Robert Burns).

And you discover Edinburgh’s poetry library, and Glasgow’s Mitchell Library. You learn who it was who pioneered what today we called an English literature course (Adam Smith, he who wrote The Wealth of Nations and the “father” of capitalism). You meet Mary Queen of Scots, Lord Kelvin, Dr. Joseph Lister (pioneer of antiseptic surgery), the murderers Burke and Hare who supplied cadavers to Edinburgh’s medical school, the architects, artists, sculptors, tobacco merchants, and shipbuilders. Best of all, Crawford does this in a well-written narrative; this is no laundry list of facts and figures but a story, a great story of two cities which have had a tremendous influence worldwide.

Robert Crawford
Crawford is Professor of Modern Scottish Literature at the University of St. Andrews, and a fellow of both the Royal Society of Edinburgh and the British Academy. He’s the author of The Savage and the City in the Work of T.S. Eliot (1991), and well as several works on Scottish literature, including Bannockburns: Scottish Independence and Literary Imagination 1314-2014, The Bard: Robert Burns, A Biography (2009), and Scotland’s Books: A History of Scottish Literature (2009). He is also a published poet, with six poetry collections, including Talkies (1992), Masculinity (1996), Spirit Machines (1999), Full Volume (2008), The Tip of My Tongue (2011), and Testament (2014). Earlier this year, he published Young Eliot: From St. Louis to The Waste Land, which I reviewed at Tweetspeak Poetry.

On Glasgow and Edinburgh is an informative, entertaining delight.

Yes, Scotland beckons.

Top photograph: The main building of Glasgow University on Gilmorehill. Photograph of Edinburgh Castle by Kevin Casper via Public Domain Pictures. Used with permission.

Tuesday, September 29, 2015

Robert Crawford on the Young Eliot


Before he was the winner for the Nobel Prize for Literature, before he was recognized for some of the most innovative and remarkable poetry of the 20th century, before “The Hollow Men” became one of the most recognizable poems in modern times, he was Tom Eliot, young Tom Eliot.

ThomasStearnes Eliot was the youngest of six children, born in 1888 when his parents were 45 and his siblings considerably older. His was an upper class family in St. Louis, where his father was a vice president of a major brick manufacturer and his grandfather the founder of Washington University in St. Louis. His Unitarian family came from New England, and he was related to John Greenleaf Whittier, James Russell Lowell, Henry Melville, Nathaniel Hawthorne, Henry Adams, John Adams and John Quincy Adams.

We’re more familiar with the latter half of Eliot’s career, from the time he was established as a poet of international renown, his Nobel Prize, and the poetry that in many ways helped to define Modernism in literary history. But before he was the famous poet, he was the boy, the young man at Harvard, and the expatriate in England.

In Young Eliot: From St. Louis to The WasteLand, Robert Crawford explores the early Eliot in depth, covering the period from his birth to the Publication of “The Waste Land” in 1922.


To continue reading, please see my post today at Tweetspeak Poetry.

Photograph: Vivien and Tom Eliot at home in London about 1921.

Tuesday, September 1, 2015

Finding Eliot in St. Louis


I’ve been reading Young Eliot: From St. Louis to the Waste Land by Robert Crawford, a biography of T.S. Eliot’s life from 1888 to 1922. The period encompasses what are perhaps his greatest and best known works – The Love Song of J. Alfred Prufrock; The Hollow Men; and The Waste Land.  For major works, only Four Quartets lies outside this period.

I knew he was born and raised in St. Louis, where I’ve lived since 1979. But he is something on a non-entity here, this city that continues to celebrate its past (it’s almost a legal requirement to know about the 1904 World’s Fair) while it tries to find new ways to sabotage its future.

Little physical evidence of Eliot remains in the city. There is the house on Westminster Place in the Central West End where his family moved when he was 16. He was only there a year before he headed off to school in the Boston area, first a year at a prep school and then Harvard. And there is a medallion in the sidewalk in front of the place where the house he was born and raised in once stood.

To continue reading, please see my post today at Tweetspeak Poetry.


Painting: Tom Eliot at 13, oil on canvas by his sister Charlotte Eliot.