Meeting with a Monthly Book Club on "Brookhaven"

Last week, I sat with seven or eight members of a local St. Louis book club. I was there at their invitation to discuss my historical novel Brookhaven, which they’d chosen for their monthly reading. I was there to talk about the book and answer their questions. 

The hostess was more than knowledgeable about the Civil War, having an ancestor who served on the Union side. She even had his picture and other memorabilia. Her husband had an ancestor who published Origins of the Late War in 1866.

To continue reading, please see my post today at Dancing Priest.

Photograph: The Brookhaven, Miss., train station about 1915.

Some Wednesday Readings

 

Le Pen mightier than the sword? – David Warren at Essays in Idleness.

 

Another Look at Ulysses Grant – review by Gould Hagler at Emerging Civil War.

 

Contemplation in Action: Booth Tarkington and the Art of Business – Steve Soldi Jr. at Front Porch Republic.

T.S. Eliot at the British Library, Part 2

The audience at the British Library for a discussion about a new annotated edition of T.S. Eliot’s poetry was largely an academic one: professors, students, researchers with the British Library, likely a few poets. And two Americans on (mostly) vacation.  Our trip was punctuated by poetry and writing highlights: a Keats Walk in Hampstead and Hampstead Heath; a visit to the Charles Dickens Museum; the Samuel Johnson House; a visit to Merton College at Oxford (Eliot’s college and where J.R.R. Tolkien taught).

And finally, with two days left in London before we departed, we were listening to this discussion at the British Library by Jim McCue and Christopher Ricks, co-editors of T.S. Eliot: The Poems, Vol. I (Collected & Uncollected Poems) and T.S. Eliot: The Poems, Vol. II (Practical Cats & Further Verses).

Collecting and annotating the poetry of a write like T.S. Eliot is fraught with challenges and difficulties, not the least reason being Eliot himself editing his poems over time, or manuscripts of the same poem with variations, and one version published in one collection and a slightly different version published in another.

To continue reading, please see my post today at Tweetspeak Poetry.

Photograph: The British Library in London by Mohammed Abushaban via Wikimedia Commons.