Showing posts with label Lucinda Hawksley. Show all posts
Showing posts with label Lucinda Hawksley. Show all posts

Tuesday, December 11, 2018

Desperation, a Speech, and a Sick Child: Dickens and “A Christmas Carol”



It was 1843. Charles Dickens was publishing Martin Chuzzlewit in serial form, and the story wasn’t doing that well, at least compared to his earlier books like Pickwick Papers, Oliver Twist, and Nicholas Nickleby. And Americans hated it; Dickens came close to losing his American audience for his portrayal of Americans he drew from his recent visit. His household expenses were rising, particularly with a new baby coming, and he had just learned that his usually spendthrift and almost always broke father was expecting him to pay his debts.

He needed something, something new, something to recapture the public’s imagination. 

In October, Dickens traveled to Manchester, to give a speech and to visit his beloved sister Fanny and her family. He was especially concerned about his young nephew Harry, who’d been born with a number of serious disabilities; his parents didn’t expect him to live to adulthood. Before the speech, he walked around the city, and he was horrified by the plight of poor families and how they lived. It was as bad as it was in London. His speech at the Athenaeum Club was a fiery one, full of outrage over the conditions of the poor, and was reported all over Britain.

To continue reading, please see my post today at Tweetspeak Poetry.

Monday, February 20, 2017

“Charles Dickens and His Circle” by Lucinda Hawksley


For London’s National Portrait Gallery last year, writer and biographer Lucinda Hawksley was asked to provide a book on Charles Dickens and his friends. The result was Charles Dickens and His Circle, and it provides a valuable primer for understanding Dickens and the people who influenced him.

Hawksley is rather ideally suited to have written the book – she’s the great-great-great granddaughter of Dickens and has written a number of works about him and the family.

Hawksley moves forward chronologically, starting with George Hogarth (Dickens’ father-in-law), and Catherine Hogarth, who became Dickens’ wife; his early illustrators like George Cruikshank and Hablot Knight Brown (aka “Phiz”); and the people he knew as a young, up-and-coming writer. The short, readable descriptions (with accompanying paintings of the individuals) include artists, lawyers, writers, and philanthropists.

The writers include people from both sides of the Atlantic; Dickens met and maintained correspondence with American writers like Henry Wadsworth Longfellow, Washington Irving, and Edgar Allen Poe. On the British side, there are William Makepeace Thackeray, Wilkie Collins, and Thomas Carlyle, among others.

Each entry includes a concise text and photograph or illustration; Hawksley also has several introductory sections that include drawings and photographs as well.

In addition to her family connection, Hawksley has published The Mystery of Princess Louise: Queen Victoria’s Rebellious Daughter; Essential Pre-Raphaelites; Charles Dickens’ Favorite Daughter: The Life, Loves, and Art of Katey Dickens Perugini; and March, Women, March; among several other works. She’s also an art historian and public speaker, especially on environmental causes.

Lucinda Hawksley
While each entry is concise, Hawksley manages to include interesting items that provide more in-depth understanding about the relationships and friendships Dickens developed and maintained (and sometimes set aside). Hans Christian Anderson was a guest at Dickens’ home, Gad’s Hill in Kent, and managed to seriously overstay his welcome. Poe believed Dickens had written an unflattering article about him; Dickens hadn’t, but Poe broke off the relationship. And when many friends began to avoid Dickens after the scandal of his separation from his wife, Edward Bulwer-Lytton did not; In fact, the two men became closer friends, because Bulwer-Lytton had been through his own scandalous separation.

Charles Dickens and His Circle is a fine introduction to Dickens and the people he attracted and was attracted to, who worked with him and influenced him, and helped to make him the great novelist he was.


Painting: Charles Dickens by his friend Daniel Maclise (1839).Maclise is one of the entries in Charles Dickens and His Circle.