I
read the nine stories that comprise Mike Duran’s Subterranea
and I stepped into the Twilight Zone.
Nine times.
Duran
blogs at deCompose, and is a regular contributor
to Novel Rocket, a site for fiction
writers (of all genres, but mostly Christian). He also regularly challenges the
sacred cattle of the Christian writing and publishing world.
He
writes what’s called speculative fiction. His writing reminds me of T.L.
Hines, who wrote in a genre dubbed “noir bizarre.” (Hines published five remarkable
novels between 2007 and 2010 and nothing since then.) Duran isn’t “noir
bizarre,” but he’s occasionally noir with a dash of bizarre (or perhaps vice
versa).
Nine
gripping stories, all dealing with underground themes.
A
man is interrogated about what happened during a subway dig, during which
several men were killed in an explosion. Without explanation, a man leaves his
front porch and is later found floating in a pool. A group of college students
set out to Mexico to disprove the existence of a mythological story. A bar
scene that seems straight out the intergalactic Cantina in the first Star Wars movie (1977). Six men die
because of a woman. A man recovers, or maybe not, from a horrific automobile
accident. Demons chase muses to stop the creative impulse. An overweight man
has to be removed from an apartment building. A priest projects compatibility
of couples seeking to get married, usually ending with the couples deciding to
go their separate ways.
Mike Duran |
What
Duran plumbs here is the “subterranea” of the human mind and heart. He’s using
a speculative, almost Twilight Zone
approach in much the same way the old Rod Serling television program did. The
stories force you, through odd and unexpected circumstances, to consider motives
and actions. The people see familiar; their surroundings do not. And it’s that
juxtaposition of familiar and strange that provide glimpses into the human
soul.
It’s
not a pretty sight. But it’s a true one.
That’s
what strikes me most about these stories – they read true. Duran knows his
subject, and knows it well.
Related:
My
review of Mike Duran’s The
Resurrection.
Photograph by Marina Shemesh via Public
Domain Pictures. Used with permission.
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