Thursday, March 31, 2016

Richard Holmes’ “Dr. Johnson and Mr. Savage”

Richard Savage (1697 or 1698 – 1743) was a English poet who claimed to be the illegitimate son of an earl and a titled lady. There’s some support for the claim, although nothing really definitive. He made his name through a series of poems, including one entitled “The Bastard” that was aimed at embarrassing and humiliating his mother (which it did) and gaining him some hush money in the form of a pension (which it also did). In 1727, Savage was arrested with several friends and tried for the murder of a man in a coffeehouse which doubled as a brothel. Savage was found guilty but a few weeks later was pardoned by the king. His notoriety gained him access to all kinds of circles, both literary and aristocratic.

A drawing of Richard Savage
He also had a most unlikely friendship with the young Samuel Johnson, he of the great dictionary, subject of one of the world’s most famous biographies, and the man who helped save the plays of William Shakespeare from oblivion.

Savage was one of the first people Johnson met when he arrived in London in 1737. They made an odd pair of friends, the older and rather refined-looking Savage and the younger and physically ungainly Johnson. For almost two years, they spent considerable time together, especially walking London’s residential squares late at night. During those walks, Savage would describe his life, his parentage, his poetry, his passions, and his prejudices. When Johnson published “London,” some believed (and some academics still do) that the main character in the narrative poem was a thinly disguised Savage. Johnson later denied it, but the question remains. Certainly Savage was an influence on the poem.

Samuel Johnson
Savage eventually fell on hard times, left London (aided by friends like Alexander Pope) for Wales, and died in 1743 in the Bristol jail, where he had been imprisoned for three years for non-payment of debts. Johnson was commissioned to write Savage’s biography.

As described by Richard Holmes in Dr. Johnson and Mr. Savage, what Johnson created with this work was more than a standard biography. An Account of the Life of Richard Savage (1744) changed the nature of biographical writing, almost creating a new genre, something between biography and fiction. Johnson didn’t always get his facts right, but he wrote beautifully and entertainingly. Holmes also makes a good case for Johnson writing much of himself into the story of Savage.

Johnson’s biographer, James Boswell, was clearly uncomfortable with Johnson’s relationship with Savage and tended to downplay Savage’s influence. Savage was looked down upon for the rest of the 18th century. But his influence on Johnson was clearly there, whatever qualms Boswell might have had.

The biography established Johnson. A year after its publication, he was commissioned to produce the dictionary. His growing reputation attracted a wide circle of admirers, and Johnson soon found himself part of the literary and social establishment.

Richard Holmes
Holmes, retired professor of Biographical Studies at the University of East Anglia in the U.K., is the author of numerous works on the Romantic poets and their era, including Shelley: The Pursuit (2003); The Age of Wonder: The Romantic Generation and the Discovery of the Beauty and Terror of Science (2010); Coleridge: Early Visions and Coleridge: Darker Reflections (2011 reissues of the earlier two-volume biography); The Romantic Poets and Their Circle (2014), a companion guide to an exhibition at the National Portrait Gallery in London; and two literary research memoirs, Footsteps: Adventures of a Romantic Biographer (1996) and Sidetracks (2011 reissue).

Dr. Johnson and Mr. Savage is a fine account and informed reconstruction of the relationship between two men, one of whom slipped into obscurity but powerfully influenced the other and indirectly helped to establish his fame.


Lexicographer Samuel Johnson: Bookended by Poetry – at Tweetspeak Poetry. (This post is a revised version of the Tweetspeak Poetry article.)

Top illustration: An antique map of London in 1730.

Wednesday, March 30, 2016

Margery Allingham’s “Look to the Lady”

A chalice has been in the possession of the Gyrth family since Anglo-Saxon times, and its keeping and stewardship guarantees the family its estate and titles by the British crown. But a ring of wealthy art connoisseurs, who employ thieves and burglars across Europe, trains its eye on the Gyrth chalice. And Albert Campion, who calls himself many things but never a detective or sleuth, gets involved, to save the chalice and the family’s position.

That’s the heart of the story of Look to the Lady by Margery Allingham (1904-1966), first published in 1931 and published in the United States under the title The Gyrth Chalice Mystery. It’s been republished over the years, including just this month as part of a three-volume Allingham set, The Margery Allingham Box Set #1. (The other two books in the set are Police at the Funeral and Sweet Danger.)

Allingham wrote mysteries and other works for a period spanning some 40 years. She’s best known for her Albert Campion mysteries, Campion being a rather innocent, deceptively foolish-looking young man who is anything but innocent or foolish. He also has family connections into the aristocracy, but he is always quick to divert both attention and conversation away from what those are.

Margery Allingham
In these early Campion books, all we really know for sure is that his real first name is Rudolph. His assistant, butler, book, chauffeur, and some1stimes bodyguard is the reformed ex-convict Magersfontein Lugg. Campion’s home and office is above the police station at 17A Bottle Street in Piccadilly.

Lugg plays a significant role in Look to the Lady, including being nearly scared senseless by an apparition on the nearby heath near the Gyrth estate in Suffolk. The story is filled with apparitions, gypsies, thieves, a rather wild horse, and Scotland Yard detective Stanislaus Oates (Campion’s good friend and a staple of the Campion mysteries). There is also more than a hint of romance between two other characters, another regular feature of an Allingham story.

Look to the Lady is great fun and an Allingham classic. It’s good to see these stories revived for new generations to enjoy them.

Top photograph by Katrina Joyner via Public Domain Pictures. Used with permission.

Tuesday, March 29, 2016

Once upon a time

Once upon a time
I read books, and wrote
about books, and now
I curate literary content.

Once upon a time
I protested war, and lit
my anti-war candle, and now
I protest perceived microaggressions.

Once upon a time
I prayed to God, and lifted
my prayers upward, and now
I pray downward to my smart phone.

Once upon a time
itself is no longer
once upon a time

Once upon a time
has become
once upon a spin,
once upon a brand,
once upon a tipping point.

Rumpelstiltskin sits
at his wheel, spinning
straw into what passes
for gold, turning
to demand the child.

Heather Eure at Tweetspeak Poetry has a poetry prompt this week involving that classic fairy tale beginning “once upon a time.” To see what others are thinking (and writing), please visit the site.

Photograph by Larisa Koshkina via Public Domain Pictures. Used with permission.