Writing one historical novel does not make one an expert in the genre. I have written exactly one historical novel, Brookhaven, a romance set in the Civil War era and in 1915.
To write Brookhaven, I didn’t turn to how-to works by historical novelists, historians, or romance writers, or read articles on the subject on web sites. In fact, I never intended to write a historical novel at all. Because I had the time, I began to pursue a lifelong interest in the Civil War, with a side-interest in the role of my great-grandfather.
At some point, I told myself, “This is a story worth telling.” And I began to write.
I also continue to do research, because writing this kind of story demands it. What did people wear? What did they eat? How would they send a letter when railroads and the mail service weren’t functioning? What were prisons like for captured soldiers? How does a society function when social order breaks down?
I learned some lessons along the way. Each was hard-learned and hard-earned. I stopped counting the times I had to go back and revise something, sometimes extending to almost everything I’d previously written.
If you’re thinking about writing a historical novel, I have seven suggestions for how to do it and not do it.
To continue reading, please see me post today at Tweetspeak Poetry.
Top photograph: A page from the 1850 census, listing the members of the Franklin Young family in Pike County, Mississippi.
Some Thursday Readings
The 1811 Slave Revolt and Destrehan Plantation – Chris Mackowski at Emerging Civil War.
The Parable of Anna Akhmatova – Ted Gioia at The Honest Broker.
Edge – poem and artwork by Sonja Benskin Mesher.
Poet Laura: A January Pilgrimage – Sandra Fox Murphy at Tweetspeak Poetry.
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