The Viking Christians: The Day Valhalla Died

Six years ago, I published the last novel in the Dancing Priest series, Dancing Prince. A good deal of it is set on a fictitious island named Broughby in the Orkneys, off the northern coast of Scotland. One of the characters, Erica Larsson, becomes the romantic interest of Thomas Kent-Hughes, the reclusive son of King Michael who has gone his own way and avoided the royal limelight. 

Thomas, or Tommy, leads an archaeological team that discovers what looks like a Viking tomb, except that it is carved with a cross, a very Christian cross. And Erica writes a story, of novella length, entitled “Island,” which imagines how such an anomaly could have happened. Vikings destroyed churches and abbeys; they didn’t get buried as Christians. Or did they?

 

I read a lot about the Vikings as research for Dancing Prince. If I’d included everything I learned, it would have made another book. But I did write the story that Erica would tell, and the publisher agreed to include it as an addendum with the novel. And I explained the story and how it came to be in a post entitled “The Story of the Novella ‘Island’”. Dancing Price, like it four predecessors, is classified as “alternative contemporary history.” Island is historical fiction, and it was the first time I attempted anything in the genre.

 

As it turns out, considerable information exists about the Viking Christians, or how the Vikings turned to Christianity. This past weekend, I stumbled across this short video, which describes what happened rather succinctly. It’s a fascinating story.

 

Top illustration: “Ansgar Preaches the Christian Doctrine in Sweden” by Hugo Hamilton (1830).

 

Some Monday Readings

 

Best Way to See the Renaissance? Get the Panoramic View – Joel Miller at Miller’s Book Review.

 

The Quiet Theology of “All Creatures Great and Small” – Beth Ferguson at GC Discipleship.

 

Rare Miscalculation: The Gamble That Backfired on Conservatives (aka, how we got the income tax) – Jason Clark at This Is the Day.

The Uses of a Novella

On July 1, with the publication of my fifth novel, I brought a five-book series to a conclusion. Each of the five was about 93,000 words in length, except for the last one. The last one has an additional 20,000 words, included as an epilogue but actually a freestanding novella.

It’s related on a minor way to the main novel; it’s mentioned as a manuscript one of the characters is writing. The idea for it predates the novel it’s part of; its genesis was years earlier from an article in Discover Britain magazine on the Celtic and Viking history that saturates the Orkney Islands.

I wrote it as part of a break from writing the novel. My novels are contemporary fiction; this novella is historical fiction, set a thousand years before the contemporary story. I wrote it without actually knowing what to do with it. What was likely in the back of my mind was an understanding of all the various ways authors use novellas.

To continue reading, please see my post today at the American Christian Fiction Writers blog. 

The Story of the Novella 'Island'

“Did you write this?”

My publisher asked me that question after reading the manuscript for the novella Island. The reasons he asked was straightforward. It is completely unlike the writing style for the five novels that constitute the Dancing Priest series. 

The novella is closely connected to but not dependent upon Dancing Prince, the fifth and final novel in the series just published last week. The choices were to publish it as a separate work or include it as a bonus with the novel. Ultimately, we included it as a bonus with the novel. (The photograph above is the one that would have been used for the cover if we’d decided to make it a separate work.)

To continue reading, please see my post today at Dancing Priest.