“The Faith of a Mockingbird” by Matt Rawle

Matt Rawle is a Louisiana pastor who has carved out something of a book niche – exploring literature and popular culture to find evidences and examples of faith. He’s published books on Victor Hugos’s Les Misérables, Charles Dickens’s A Christmas Carol, the Nutcracker Suite, and Doctor Who. And he’s also the author of The Faith of a Mockingbird, a look at themes of faith in the characters of Harper Lee’s To Kill a Mockingbird. 

To Kill a Mockingbird is the 1960 Pulitzer Prize-winning novel about racial justice and injustice in small-town Alabama, set in the 1930s. A staple in schools for more than 50 years, the story is told through the eyes of a young girl, Scout Finch, whose father Atticus defends a black man against a false charge of raping a white woman. The trial’s ending is a foregone conclusion; white juries in the 1930s wouldn’t find a black defendant not guilty, especially of a charge like rape. But what Atticus Finch does is prove the man’s innocence, even though he and the town know the defendant will be found guilty regardless. 

The Faith of a Mockingbird is designed as a small group Bible Study. Rawle considers the four main characters in the story – Atticus Finch; Tom Robinson, the defendant; Scout Finch, the young girl and narrator; and Boo Radley, the mysterious recluse whom children fear and imagine all kinds of stories about. Rawle summarizes the story of each of the four and, with Scripture passages, explains how each character illustrates a number of Biblical teachings and truths. And he does more, including an application to current life. Discussion questions are included throughout each chapter.

Rawle has also published, with Josh Tinley, a leader guide for the small group discussion, including how to facilitate the discussion, planning and structuring each session, and helpful hints.

Matt Rawle

Rawle is lead pastor of Asbury United Methodist Church in Bossier City, La. He received his B.A. degree in music from LSU and his Masters of Divinity degree from Duke Divinity School. He is also the author of What Makes a Hero?, The Grace of Les Miserables, The Redemption of Scrooge, The Gift of the Nutcracker, The Salvation of Doctor Who, Almost Christmas: A Wesleyan Advent Experience, Hollywood Jesus, and The Marks of Hope. 

To Kill a Mockingbird is a modern classic, but what few people today realize is how so many Christian themes are reflected throughout the story and its characters. Rawle’s The Faith of a Mockingbird helps to create that understanding. Perhaps unintentionally, it also makes a strong case for looking for Christian themes in the products of popular culture.

Related:

The Grace of Les Misérables by Matt Rawle. 

We All Know a Boo Radley – at Dancing Priest.

We All Know a Boo Radley

I was all of 21, in my first job after college graduation. I’d been hired as a copy editor on the news desk of the Beaumont (Tex.) Enterprise. Production at the Enterprise was just becoming automated, at least in what we called the “backshop.” Reporters still used typewriters, typing up their copy, handing it to editors (including new ones like me) and hoping we didn’t slaughter their peerless prose when we edited.

Most reporters, like most writers, required editing. I quickly learned who the better reporters were – the ones whose copy didn’t need much editing. Some needed a lot. One rarely if ever needed any – and he was the newspaper’s staff mystery.

I’ll call him Joe. He was in his 50s, and he covered local government. When Joe turned in his stories, he would mumble, almost as if apologizing. I don’t think anyone understood the mumbles. The mystery was how he did his job – he was never seen at a city council or other government meeting, and yet his stories reported exactly what went on. No one knew how Joe did it. Even more mysteriously, no one knew where he lived. He received his mail at the newspaper, and that was his legal address. One staffer followed him in his car one night, and all Joe did was drive around Beaumont for more than an hour until his lost the tail. 

To continue reading, please see my post today at Dancing Priest.

“The Grace of Les Miserables” by Matt Rawle

It’s something that, in our contemporary culture, Christians would recognize almost immediately, while others would not. Les Misérables by Victor Hugo is part of the pantheon of the world’s great literature, and it is also an intensely Christian story. The popular stage production and movie do have wide audience appeal; both are great entertainment, with an resonating story line and wonderful music. And they don’t downplay the themes of grace and redemption; but many people in the audiences might be surprised at the profoundly Christian elements of these themes.

In The Grace of Les Misérables, author Matt Rawle tackles these themes head on. In six relatively short but packed chapters, he considers the grace displayed in the life of Jean Valjean; how grace and justice collide in the life of Inspector Javert; the problem of “the poor are always with you” in the life of Fantine; how the relationship of Marius and Cosette demonstrate the gift of love; how the friends exemplify the idea of building the barricade; and how the scenes of the garden, far from being asides, are critical to understanding the book.

Matt Rawle

What Rawle also helps you understand, if unintentionally, is that while the movie and the stage production are faithful to the book, the book contains much, much more. It is a more nuanced work. For example, the movie and play condense Valjean’s redemption into a few key scenes, while the book makes it clear his redemption happens over a considerable period of time. Christians recognize this as the process of sanctification. And the book does not display Inspector Javert as an evil villain; instead, it shows the ongoing internal conflict the man experiences as he grapples with the ideas of justice and grace. 

Rawle is lead pastor of Asbury United Methodist Church in Bossier City, La. He received his B.A. degree in music from LSU and his Masters of Divinity degree from Duke Divinity School. He is also the author of What Makes a Hero?, The Faith of a Mockingbird, The Redemption of Scrooge, The Gift of the Nutcracker, The Salvation of Doctor Who, Almost Christmas: A Wesleyan Advent Experience, Hollywood Jesus, and The Marks of Hope. 

The Grace of Les Misérables is a wonderful resource for exploring and deepening one’s understanding of the great work by Hugo. And it clearly shows how bedrock Christian teachings and themes underpin the entire story.

Note: The Grace of Les Misérables also has both a group leader guide and a youth study book for discussion in small groups and young adult classes. Both track the chapters in the main book. The leader guide includes a session overview; a list of suggested questions for discussion; appropriate Bible verses; and suggestions for application. The guide is extremely well done, easy to follow, and useful for both live and online group discussions.

Related:

When the Story is Not What You Think It Is – my post at Literary Life.

When the Story Is Not What You Think It Is

I suppose you could call me a Les Mis fan. I’ve seen the stage version of Les Misérables twice. I’ve seen the movie twice. I’ve watched the anniversary specials on PBS (the ones they show during fundraising months). I know the words to the big songs. I am deeply enthralled with the character of Jean Valjean. My heart breaks for Fantine. I laugh at and secretly adore watching the comic and grasping Thenardiers.

What I haven’t done is read the book by Victor Hugo. Perhaps it was the size – 1,222 pages of the “complete and unabridged” edition we have. Perhaps it was my wife telling me, as she read it, “There must be 300 pages describing the sewers of Paris. It goes on for page after page about the sewers.” Eewww. She surprised me when she said she loved the book.

Last year, I spotted a book at the local bookstore, and only saw the title on the spine first: The Novel of the Century by David Bellos. Ah, I thought, a book about David Copperfield, or Great Expectations, or Vanity Fair. Uh, no. It was subtitled “The Extraordinary Adventure of Les Misérables.” That book about sewers. Perhaps watching the movie version yet again would suffice; the sewer scene in the movie is the vastly abbreviated version of what the book contains.

The Grace of Les Misérables by Matt Rawle has changed my mind. And it did early on, as in the first two chapters. I’m a Les Mis fan, so I know that Jean Valjean (chapter 1) and Inspector Javert (chapter 2) are point and counterpoint, hero and villain, grace and justice, good and bad. Hold up, says Rawle. That’s not what Hugo did in the novel. 

Matt Rawle

The author provided a much more nuanced characterization of the two primary characters. Jean Valjean isn’t instantly converted to good when the priest lets him get away with stealing the church silver. It takes a considerable period of time and numerous events for Valjean to embrace grace. It’s a journey, not a one-time event. And as for Javert, the book presents him as an extraordinarily capable and resourceful police detective. He is a man whose very competence and experience will lead him to disaster.

I read what Rawle writes, and I’m reminded of so many times at work when people resisted doing something differently because “this is the way it’s always been done,” “this is what the boss wants,” and “it’s always worked before.” I watched one organization sail into disaster because of people’s incredible competence and experience – and an inability to change. Call it a “Javert moment.” It’s a very different view of Javert than what I understood. 

And I never realized that Valjean struggles for most of the book to be the man he will ultimately become. The priest shows him unmerited grace, and Valjean promptly turns around and steals a coin from a boy. He accepts his punishment in court, and then immediately escapes from jail so he can rescue Cosette. He almost leaves Marius to certain death because of jealousy. This isn’t the brave, noble soul we see in the play and the movie.

There it is. Victor Hugo’s sprawling saga of revolution in 1830s France isn’t a historical novel at all. It’s a novel of realism, with an understanding of human nature and the promise and perils of the human condition. It’s a novel for the times in which it was published, the 1850s, and it is a novel for the times of the 2020s. Works like Les Misérables that grasp the essential reality of the human condition are timeless. They endure because they speak to generation after generation.

I have to cast my identify as a Les Mis fan aside. I have to read the book. I have to struggle with Jean Valjean, and I have to see Inspector Javert for the complete character he is. I have to see myself in both of them.

I’m now steeling myself for 300 pages about sewers.

(This post originally appeared at Literary Life.)