Showing posts with label Meadow Taylor. Show all posts
Showing posts with label Meadow Taylor. Show all posts

Wednesday, September 28, 2022

"Midnight in Venice" by Meadow Taylor


This is a book that you tell yourself you should stop reading. It’s a mystery. It’s romantic suspense. It’s about Venice. And a billionaire who's a brilliant concert pianist, and a race car driver and a cop. It stretches credulity, and it keeps stretching credulity.  

And you keep reading because you can’t put it down.

 

Midnight in Venice by Meadow Taylor tells the story of Olivia Moretti, a Canadian who’s moving to Venice for several months to work for a prestigious art gallery co-owned by her cousin. She runs afoul a aa police detective Alexandro Rossi, at the airport. (The prequal short story, Christmas in Venice, was reviewed here last week. It’s the first chapter of the full novel.)

 

Rossi’s wife disappeared four years before, and she’s presumed dead. Her disappearance is the primary reason Rossi joined the police force; he was previously a concert pianist and a race car driver, and he’s fabulously wealthy. (You see the credulity begin to strain here – a billionaire cop who lives like a monk in a working-class neighborhood but happens to have an enormous home in nearby Padua.

 


Carnival time is approaching, and it’s not unusual for people to begin wearing costumes. Like the surprisingly common one of the “plague doctor,” invented to “scare away” the bubonic plague when it ravaged Venice centuries before. What is unusual is for someone dressed as the plague doctor to be following Olivia around Venice. 

 

Unexpectedly, Olivia is told take a suitcase full of Murano glass to New York. The suitcase contains the glass; it also contains several bags of heroin. And detective Rossi has to wonder if the woman he’s fallen in love with is part of a drug ring. And the implications are his wife may have been involved as well. 

 

And then the story gets really crazy. It doesn’t matter, because, by this time, you have to find out what’s happening. You don’t care that the story has passed the point of believability. And just when you think you have it all figured out – you don’t.

 

Meadow Taylor is the pen name of two (unnamed) Ontario authors of historical fiction. In addition to Midnight in Venice, Taylor has also published the novels The Billionaire’s Secrets and Falling for Rain and the short story Christmas in Bruges

 

Related:

 

Christmas in Venice by Meadow Taylor.

 

Top photo: The plague doctor at the Venice carnival by Conor Rabbett via Unsplash. Used with permission.

Wednesday, September 21, 2022

"Christmas in Venice" by Meadow Taylor


It’s Christmastime. Canadian Olivia Moretti has just landed at the airport in Venice. She’s excited to be starting a new job with an art gallery in Venice. She speaks flawless Italian; her late father was a native before emigrating to Canada. 

Still at the airport, tired and jetlagged Olivia first runs into Alessandro Rossi of the Venice police. He wants to see identification, and he wants to know where her suitcase is. The elderly woman she had left it with momentarily is gone; the suitcase remains, but something inside is ticking. And the President of Italy is due to land at the airport.

 


Christmas in Venice
 by Meadow Taylor is a short story and prequel to the romantic suspense novel Midnight in Venice. It’s designed to introduce the reader both to Olivia and the policeman, both of whom as major characters in the novel. The story blends the right amount of humor, suspense, and the possibility of romance to keep interest moving forward toward the novel. 

 

Meadow Taylor is the pen name of two (unnamed) Ontario authors of historical fiction. In addition to Midnight in Venice, Taylor has also published the novels The Billionaire’s Secrets and Falling for Rain and the short story Christmas in Bruges

 

Prequels, and especially prequel short stories and novellas, are an increasingly popular and effective way for an author to introduce full-length novels. Reasonably priced and sometimes free, they give the reader a taste of what the longer story is about. They’re also often used as a promotional giveaway to encourage readers to sign up for an author’s newsletter. Christmas in Venice is an example of the effective use of a prequel.

 

Top photograph by Federico Beccari via Unsplash. Used with permission