The story begins
with three white West Texas teenaged boys finding a drunk black man walking
alongside a road. They chase him into a field, and two of them beat him to
death with a baseball bat; the third boy, sickened by the act, throws up. But
the law deems them all responsible, and after trial they go to prison.
The third boy
comes under the influence of a white supremacist, a fellow inmate who hates
blacks and Jews. He becomes a kind a kind of priest in the supremacist’s
church, until a prison librarian begins to slip him books, books which begin to
raise doubts about these doctrines he’s embraced. He eventually rejects them,
only to be stabbed to death by another inmate.
All of that
happens with the very early part of Alan Kessler’s novel Clarence
Olgibee, when the scene shifts to central Ohio some 20 years earlier,
to the family of the title character. Clarence is a black high school student,
aiming to be accepted by Oberlin University and eventually become a doctor. His
parents are a rather strict and controlling mother and a father who can recite
large sections of what it is he’s been reading, mostly in the sciences. And
that is almost all he does.
Confusion as to
how this family in central Ohio connects to a killing and imprisonment in West
Texas slowly and gradually unfolds. It involves a politically progressive white
family moving into a predominantly black neighborhood; a teenaged girl whose
doctor father is injured in an accident, forcing the family to downsize its
economic status; a cousin who visits from the South; a shadowy organization that
takes shape behind the façade of a country club and the town’s well-to-do
citizens; and a stint in the navy and results in a fateful act of heroism.
Alan Kessler |
Kessler is the
author of two previous novels, A Satan
Carol (2102) and Shadowlands
(2013). None of his works, including Clarence
Olgibee, can be called conventional. But they can be called
thought-provoking, arresting, surprising, and fascinating.
As Clarence Olgibee unfolds, the reader
experiences a story of connection and inter-connections. What a teenager does
in central Ohio leads to a death in a West Texas field many years later. A joke
involving a barrel rolled down a hill results in tragedy. A cousin spends a few
months living with a family and influences his nephew forever after, including
after the the cousin’s death. A promise made on a deathbed leads to unimagined
consequences. The past is always present, and is the present. And the future.
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