Poet Mary Karr is as well known for her memoirs as she is for her poetry. Her memoir The Liar’s Club sat on the The New York Times’ bestseller list for more than a year, won non-fiction prizes, was chosen a “best book” by several major publications, and was followed by two other successful memoirs, Cherry and Lit. Then she wrote The Art of Memoir.
Karr has published four collections of poetry, The Devil’s Tour (1993), Viper Rum (2001), Sinners Welcome (2009), and now her most recent collection, Tropic of Squalor (2018). If there is any one writing skill at which Karr excels (and there are more than one), it’s her use of vivid imagery and metaphor. Even the titles of her poems are arresting and often jarring: “Illiterate Progenitor,” “Discomfort Food for the Whole,” “The Organ Donor’s Driver’s License Has a Black Mark,” “The Child Abuse Tour,” and, well, you get the picture.
To continue reading, please see my post today at Tweetspeak Poetry.